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| » Number of reviews : 28 - viewing 10 Per Page |
| Last Review Posted by Andy Bright - posted: Sun July 19, 2009 8:19am | [ Post a Review ] |
Product Details: "120-400mm F4.5-5.6 APO DG OS" by lozninja - posted: Fri July 17, 2009 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() 7.57 |
| Last Review Posted by Andy Bright - posted: Wed July 15, 2009 5:21pm | [ Post a Review ] |
Product Details: "GT5541LS" by Andy Bright - posted: Wed July 8, 2009 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10.00 |
| Last Review Posted by Andy Bright - posted: Wed July 15, 2009 3:02pm | [ Post a Review ] |
Product Details: "190CXPRO4" by Andy Bright - posted: Wed July 15, 2009 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8.00 |
| Last Review Posted by Andy Bright - posted: Tue February 27, 2007 6:30am | [ Post a Review ] |
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Views: 17558 |
This tripod head, designed for huge telephoto lenses needs very little introduction. The original Wimberley gimbal appeared on the market in the early 1990\'s and has dominated the bird photography market ever since.
The new incarnation of the Wimberley head has shed a whole pound in weight, dropping from just over 4lb to just over 3lb. As far as dimensions, it has shrunk in all aspects, it may not look much on paper but it really does look a far more compact unit as a result.
The new Wimberley has also lost that oversized (and slippery) tilt control knob to be replaced with a smaller rubbery and contoured knob. The pan control knob is also now of the same desing as the tilt knob and has now been relocated to the side of the head instead of on top of the base, thus becoming easier to come to hand... although panning control is not likely to be changed very often.
The new Wimberley WH-200 has a new lens mounting system, where-by the Arca-swiss clamp is built-in to the unit (and this really makes sense)
Where-as my trusty Manfrotto 393 relies upon balance and some friction to keep it in position, the Wimberley can work purely on balance alone to keep the lens in position, even the lens axis point needs to be positioned correctly to achieve this. In use you do keep some friction there for the sake of solidity, but it\'s not vital. Once set up, you can have the lens totally free and it will not droop or raise.
I have to say that I have found the new Wimberley to be tighter in many aspects, and locked-up it is a stiffer unit than the previous design with very little scope for bounce.
With the tilt knob tightened, you can remove the camera with total confidence that there will be no dramatic plunging of the lens.
Operating your camera and lens is a breeze with the Wimberley MkII, there is assured solidity even with a relatively free-running set-up.
more at http://www.digiscoped.com/wimberley.html
Rating: 9 |
Product Details: "WH-200 Wimberley MKII" by Andy Bright - posted: Mon August 14, 2006 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 9.50 |
| Last Review Posted by Andy Bright - posted: Sun January 28, 2007 5:34pm | [ Post a Review ] |
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Views: 13086 |
The lens comes in one of those new style travel cases, the CS60040, made of strong polycarbonate. Gone are the \'coffins\' that big lenses used to arrive in, now we have smooth rounded edges and an altogether more modern look... even if you think that these new cases are a bit cheap in comparison.
The slip-on E-185 lens cover is standard fayre, always more time consuming to remove and attach than you would hope but thankfully it is not elasticated like some I have seen, that seem desparate to cling on to the the lens and snag on something.
Contrary to some reports, maybe earlier models, the tripod collar rotates very smoothly with indents at 90 degree intervals.
All the standard switching is laid out on the side of the lens. I would still rather have the focus memory recall as buttons rather than the twist ring and would be really nice to have control of focus memory recall via the camera, as a number of lens features can be controlled by a Canon pro body... just not focus memory recall.
In use the lens is pure magic, the I.S. allows you to get on with photography, not worry over vibration every moment.
Wide open it can produce razor sharp images, but stopping down takes it to another level. No real penalty in image quality nor AF speed when using a 1.4x teleconverter.
Using the Canon EFII 2x, there is a degradation in iq but that is only in comparison to what it can achieve without. The results from the EFII 2x can be outstanding and professionally viable if you take great care and realise that compression of the air between you and the subject is the real quality killer. If you use the 2x over great distances, prepare for the worst.
AF is not rapid with the 2x teleconverter on the 600mm with a Canon Pro body, but it is quite reliable. Do not expect quick focus lock when the AF system has to cover significant changes in distance.
More detailed review and photos here
http://www.digiscoped.com/Canon600mm.html Rating: 10 |
Product Details: "EF 600mm f4 L IS USM" by Andy Bright - posted: Sat October 25, 2003 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 9.83 |
| Last Review Posted by Andy Bright - posted: Sun January 28, 2007 3:31pm | [ Post a Review ] |
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Views: 29999 |
Purchased, after my switch to Canon, to act as a replacement for the Nikon 300mm f2.8 VR and to used as a walk around lens in combination with teleconverters.
Not particularly heavy as 300mm f2.8 lenses go, though I would advise replacing the supplied Canon strap for a Neoprene type.
All the normal features of the Canon professional telephoto lenses are present.
3 AF Focus range limits are available, the 2.5 metres - infinity (full) setting allows the lens to focus from minimum distance to infinity. Then the 2.5 metres - 6.4 metres and finally 6.4 metres to infinity. Basically, if your target is expected within a known distance from you, it speeds up autofocus if the lens is not hunting through its entire range to get a lock-on.
It is a fulll time manual lens, which means you can use the manual focus ring at any time.
Two I.S. mode 1 controls movement vertically and horizontally, mode 2 just counteracts vertical movement... so as to allow you to pan along with a subject without the I.S. system trying to compensate.
Lastly in this panel is the focus preset functions. Basically, you can set a focus distance on the lens, press set and you can recall this distance at any time via the twist ring (the ring with the serrated edge) just in front of the focus ring. It is a handy feature if you are likely to be shooting at 2 vastly different distances. I would prefer it if focus recall was an option on the 4 focus lock buttons and in a really ideal world, a focus recall button would be situated far closer to the camera body, or indeed controlled via the camera itself, as some lens functions are on the Canon 1Ds MkII.
In use this lens is awesome in AF speed, even with a 1.4x teleconverter. With a 2x teleconverter, the AF speed is still as fast as many bare lenses, it is still rapid. AF is almost silent in operation.
Results from the bare lens are very sharp, even wide open. With a 1.4x teleconverter, virtually nothing is lost in image quality, stopping down makes for marginally improved images. With a 2x attached, the results are still remarkable though stopping down is certainly preferrable.
Even using stacked 1.4x and 2x teleconverters can produce acceptable results, though very much a method for desperation and manual focus is recommended even with a 1Ds camera body.
More detailed review and photos here
http://www.digiscoped.com/canon300mm.html Rating: 10 |
Product Details: "EF 300mm f2.8 L I.S. USM" by GYRob - posted: Wed January 3, 2007 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10.00 |
| Last Review Posted by Andy Bright - posted: Mon August 28, 2006 10:09am | [ Post a Review ] |
Product Details: "Leupold Golden Ring 15-30x50mm" by ejdeltoro - posted: Fri June 16, 2006 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8.00 |
| Last Review Posted by Andy Bright - posted: Wed August 23, 2006 12:10pm | [ Post a Review ] |
Product Details: "Spacemaster 15-45x 50mm" by moondog - posted: Wed August 16, 2006 - Rating: ![]() ![]() ![]() ![]() ![]() 6.00 |
| Last Review Posted by Andy Bright - posted: Wed August 9, 2006 7:46am | [ Post a Review ] |
Product Details: "EF 100-400mm L IS USM" by Andy Bright - posted: Sun October 26, 2003 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8.80 |
| Last Review Posted by Andy Bright - posted: Wed July 5, 2006 3:08am | [ Post a Review ] |
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Views: 33004 |
Now this has become a very popular adapter to get a camera up to a spotting scope, and it\'s not difficult to understand why... it cost practically nothing in the world of digiscoping and photography.
Yes, there\'s quite a lot of plastic involved but it can do the job of putting most cameras up to most eyepieces. It did fall a few mm short of being able to get my Canon A95 up to my Zeiss 20-60x eyepiece but the design of the tripod screw and it\'s locking nut enables some packing to be placed under the camera to raise it enough. With smaller eyepieces (the Zeiss 20-60x is big), there should be no problems.
Given the price of this device (almost a 1/10th of what the big brackets cost), it\'s hard to be too critical. The Baader Microstage does what it is designed to, but I would still say it suits the dedicated digiscoping photographer better than the digiscoping birder.
More, with larger photos, at http://www.digiscoped.com/Adapters.html
Rating: 8 |
Product Details: "Microstage 6030 Digital Camera Adapter" by Andy Bright - posted: Wed July 5, 2006 - Rating: ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8.00 |
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