I think you read too much of the colour in the photos. In field photos there is always some colour cast and fine details are often not visible, or they may show in surprising way.
The bird is first-year (general freshness and dark eye).
Claws and legs of young Blyth's Reed have typically greyish tone. They are somewhat variable, and it is quite common to get impression that there is no much difference between upper and under side of the claw, even in hand. But often the under side really is contrastingly yellow, but upper side is still paler and less contrasting than what is typical for Eurasian Reed.
Bill of young Blyth's Reed (as Eurasian Reed) is still growing and often looks quite short early in the season. Typically there is some dark on lower mandible, but in most young birds and quite often adults too it is restricted and not easily visible.
Uppertail coverts and rump feathers often have a slight rufous tone, as have the edges of secondaries and primaries, which make them somewhat differently coloured compared to olive-tinged mantle. The variation in this is more often because of light conditions than the real plumage variation. Rump is somewhat protected from bleaching and therefore spring adults often have quite distinct contrast in colour between rump and mantle.
I don't agree that Blyth's shows yellow in face. Some buffish tone at most, but other species have stronger colours there.
Much of what I write above is only possible to see in very good photos or in hand. In field, the best identification pointers are short wings, alula colouration (the whole of outer web pale contrasting slightly with darker inner web, in worn birds this is less reliable) and call, perhaps leg colour. Even the olive upperpart colouration is often difficult to see.
I think that bill and facial expression of the discussed bird fits perfectly. In new photos the leg colour seems even a little too greyish and dark, but the differences are very slight to what is "should" be. I am somewhat worried about the alula colouration, which is not very well visible in any of the photos. It could be OK, but I am not sure.
My comments are based mostly on personal experience with the species, both in field and in hand (and Marsh and Eurasian Reed, but my hand experience of the latter is only from the nominate subspecies).
Thanks for your valuable comments. Again I agree with most of them and have to disagree with some.
I think you read too much of the colour in the photos. In field photos there is always some colour cast and fine details are often not visible, or they may show in a surprising way.
Yes. Color is important for me while describing a critter. When I comment about the color, I always consider the digital effect of the D-SLR. For example if you compare Canon, Nikon Panasonic, or Sony cameras you will see that each one gives different color cast just as well different tele lenses. In old film days, most neutral tones was given by Agfa geavert films. Fuji was green casted and Kodak was yellow. These differences effected identification of some problematic birds in the past. Again nowadays changing from Bayern patterned sensors (CCD) to CMOS, some componens i. e. indium thin oxide started to effect colors in canon world. Canon devoloped a digic chip which memorized circa 40000 best colored photo's information on it and every photo taken by canon cameras are adjusted according to this database. Similar situation exists in other brands. So when we see a digital photo, one should consider that colors are not identical to real life, only closer to real and only the best beautiful part of the colors are recorded.
Similiar situation in human eye: purkinje effect. Some cells in human eye are more sensitive to red color in dawn and dusk, some cells are more sensitive to blue color in midday. Old English and French ladies used this trick by wearing saphire and ruby in the correct time of the day.
That is why professionel articles and books never talk about an iris color as dark, ligth, or medium toned etc. They always describe as chestnut colored, slate or ochre etc. And use a comparison to natural materials while describing a color. Similar situation in other measurements. For example "carat" word is an arabic word and originates from the seeds of Carob tree that have all its seeds allways same weight which is 0.2 gr, independent of seed size or shape.
To ensure standard lighting conditions there is a standart in international gem trade: for example a professionel gemologist examins the gems on a table inside of a naturally enlighted room 1 meter away from the window facing towards the North side (in northern hemisphere). Everywhere in the world it is like this. Sadly, as far as I know there is no such standart in bird ringing centers. In that situation two researcher, who attanded same place in different months, or different hour of day, can describe same color in two different description. Under all these circumstances, experience is the most important thing, while describing a colored item, in this case a bird.
I have made all this explanation to indicate that the "dark eye" seen in the picture may not be an exact evidence to indicate that the bird is young or it does not tell us which species it may be.
The bird is first-year (general freshness and dark eye).
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Claws and legs of young Blyth's Reed have typically greyish tone. They are somewhat variable, and it is quite common to get impression that there is no much difference between upper and under side of the claw, even in hand. But often the under side really is contrastingly yellow, but upper side is still paler and less contrasting than what is typical for Eurasian Reed.
Bill of young Blyth's Reed (as Eurasian Reed) is still growing and often looks quite short early in the season. Typically there is some dark on lower mandible, but in most young birds and quite often adults too it is restricted and not easily visible.
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There are many types of melanin in birds. But mainly two of them exist in bill and claw of the birds. These are phaeomelanin and eumelanin. Phaeomelanin establishes yellow based colors and eumelanin black based tones. In keratin structure, phaeomelanin replaces in days or weeks, but eumelanin's replacement takes years. When you see a young bird with black content in its bill or (partially) claws it changes least by aging. But yellow content can rather quickly change. You can think it like this: a black colored figure printed on a transperancy, when you put it over a dirty yellowish colored paper, you do not see a striking contrast. But when you put it on a bright yellow paper, you immadietely see a very high contrasted image.
Chicken breeders know well that if a chick, does not have enough black in its beak, there wont be more black when the bird became a cockarel or a rooster. They try to choose best pigmented chick for their breeding stock.
There are epidermal layers in birds beak i. e. Stratum germinativum, stratum transiticum, stratum corneum etc. Among these layers there are some electro sensor cells which serves to feel and find the prey of the birds. And these are directly related with eumelanin cells and describing species ID. I mean basically amount of black content in beak shows us feeding and other behaviour of a species and differenciates one species from the other. Contrast can change, but amount of black may change very slowly. I am talking about passerine birds. These rules are totally different for color changing, leather covered beaks i. e. White-headed Duck.
When we talk about claws, there are also several layers, for example phalanx, stratum germinatum, stratum transativum etc. Among the medium layer, there are also melanin pigment containing cells and these are species specific and directly related with birds nish or habitat (again electro sensors).
Today in modern life many people effected by heart attacks and vein problems. In 1850's Lewis Wright wrote about newly devoloped industrial chickens, that are yellow legged and produce yellow fat. We still consume this yellow leg gene carrying chickens and some research indicates that yellow fat causes vein problems. Actually this yellow leg gene comes from one wild chicken species, and white fat and skin gene comes from another (Gallus gallus). Today You can see a few main leg colors (yellow for asia, blue for Europe, black for Mediterrenean etc.) and many mixed leg colors in chickens. The leg color genetics in chickens gives direct clue to the leg color genetics of passerine birds. This article shows my claim about the beak, claw structures in passerines:
https://www.researchgate.net/public...e_black-capped_chickadee_Poecile_atricapillus
Accordingly, melanin content of the beak, shanks and the claws can provide us with the hybridization level of such passerine birds. If you can identify the true melanin content despite the digital effects in a picture, and compare it with experiance from the hybridization of domestic birds such as chicken or canaries, you can have a better understanding if the bird we are discussing is a pure species of one kind or not.
Accually, I think what makes Turkey an interesting birding spot for advanced or master birders should be such puzling birds instead of one pure species added to the bird list of the country. Because if you would like to see a Blyth's why seek it in Turkey instead of going to its type location. But if you would like to see the details of transitions in such difficult taxa Turkey is a living laboratory.
Uppertail coverts and rump feathers often have a slight rufous tone, as have the edges of secondaries and primaries, which make them somewhat differently coloured compared to olive-tinged mantle. The variation in this is more often because of light conditions than the real plumage variation. Rump is somewhat protected from bleaching and therefore spring adults often have quite distinct contrast in colour between rump and mantle.
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I mentioned above my suspicion about colour, and I think it would be safe not to rely solely on the colours to conclude about the bird.
I don't agree that Blyth's shows yellow in face. Some buffish tone at most, but other species have stronger colours there.
I did not say "yellow in face". I said "pale yellowish tone"
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Much of what I write above is only possible to see in very good photos or in hand. In field, the best identification pointers are short wings, alula colouration (the whole of outer web pale contrasting slightly with darker inner web, in worn birds this is less reliable) and call, perhaps leg colour. Even the olive upperpart colouration is often difficult to see.
I think that bill and facial expression of the discussed bird fits perfectly. In new photos the leg colour seems even a little too greyish and dark, but the differences are very slight to what is "should" be. I am somewhat worried about the alula colouration, which is not very well visible in any of the photos. It could be OK, but I am not sure.
My comments are based mostly on personal experience with the species, both in field and in hand (and Marsh and Eurasian Reed, but my hand experience of the latter is only from the nominate subspecies).
You already mentioned some of my suspects. Just for curiosity, is your experience with Blyth's from western part of its distrubion or from a place close to the species type locality? Anyway thanks for your comments, with which I already agreed most of them. I will "stick with my chickens" without internet for a few weeks where there are more in depth bird genetic information exchange. If a breeder makes a mistake in the domestic breeders world, he/she pays his fault with money and time. Sadly in birders world no such auto control mechanism exist. Only good friendship and respect.
Best...