Pedroinspain
Active member
Since this is my first post on this topic, a short intro. Raised in South Africa and as a geologist I worked in the 'bush'. I only became interested in birds at a relatively late stage. Regarding art, I started in Spain about 5 years ago (after retirement) doing water-colours, mostly Spanish towns and historic buildings. I became disillusioned; my works were lacking contrast; mistakes in 'managing' white were frequent; I soon hit a wall after a trail of mediocre productions.
After a lengthy break I returned about a year ago, this time using acrylics, initially in a 'watercolour style'. My return had been inspired by a trip to India and the 'colourful' rural people. With a modicum of success in this I decided to take the plunge and search for a tutor because I suspected that another 'wall' was looming. I found one - with a bit of luck - sitting at a lunch terrace in a back alley of a small coastal Costa Brava town I looked across the way ... and there was her studio!! She proved to be tough but fair. My first subject was a barn owl hunting above reed beds. It was O.K., but still a bit flat.
She shook her head. "You follow your model picture too rigidly. Use imagination. How can you make the bird leap?" I tried some adjustments. "Too little .... still weak, and the light source is not always consistent!!". Phew, this was tough, and so was she, with no signs of cutting me any slack. I skipped a few weeks and then plucked up the courage to radically alter the product --- exaggerated tones and contrast. "Si .... ahora, si". I purred. Here is the product, still not perfect - that exaggerated russet flank needs toning down, the pendulum had swung too far - but I was finally properly motivated.
After a lengthy break I returned about a year ago, this time using acrylics, initially in a 'watercolour style'. My return had been inspired by a trip to India and the 'colourful' rural people. With a modicum of success in this I decided to take the plunge and search for a tutor because I suspected that another 'wall' was looming. I found one - with a bit of luck - sitting at a lunch terrace in a back alley of a small coastal Costa Brava town I looked across the way ... and there was her studio!! She proved to be tough but fair. My first subject was a barn owl hunting above reed beds. It was O.K., but still a bit flat.
She shook her head. "You follow your model picture too rigidly. Use imagination. How can you make the bird leap?" I tried some adjustments. "Too little .... still weak, and the light source is not always consistent!!". Phew, this was tough, and so was she, with no signs of cutting me any slack. I skipped a few weeks and then plucked up the courage to radically alter the product --- exaggerated tones and contrast. "Si .... ahora, si". I purred. Here is the product, still not perfect - that exaggerated russet flank needs toning down, the pendulum had swung too far - but I was finally properly motivated.
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