Frank,
I was Curious Yellow/Red after reading the review of the Maven B1 in which the reviewer found a significant amount of CA, and showed how it compared to another bin with ED glass side by side, using a resolution chart. The B1 clearly showed more CA. Granted the camera lens might have added some CA, but the B1 still had significantly more CA than his reference bin. As the owner of Maven pointed out in the video, all three models employ the same glass.
Looking at how short the B3 is compared to the two open-bridged roofs, i.e., it has a much shorter FL than the B1, I'm wondering how the B3 can control CA in the centerfield as well as an 8x32 FL, the reference standard in midsized roofs for excellent CA control, when the much longer B1, which also has S/P prisms and identical glass does not?
Here's what you wrote in your review:
"I mentioned color fringing in reference to this simply because the two are often interrelated. Such is the case with this model. Inside the sweet spot chromatic aberration is lacking. The image appears very “washed” and “cleaned” as a result. In this area it reminds me very much of the Zeiss FL and the Zen Ray ED series. Outside of the sweet spot in the transition zone all the way out to the very edge the level of lateral chromatic aberration increases. At no point do I find it objectionable though and only notice it when looking for it under extreme conditions."
How sensitive to CA are you? Some members wouldn't see CA unless someone spilled paint on the bins' objectives, and others see it in almost every bin even some in bins with ED glass. Where do you fall in this "spectrum?"
brokenroller