Some time back, when there was discussion a-plenty about the Nikon M7 8x30, glare, flare and other things, i experimented a lot with them. I tried those flared eye shields for a while to see what they did, and then started trying out different eye cup settings. Obviously, there was a degree of vignetting, until i screwed them right down and started 'hovering' them in front of my eyes.
This took some time, but i suddenly found a 'sweet spot' - the view opened right up, they were bright, clear and seemingly untroubled by any unpleasantness at all. I was convinced i could also see the play of distortions used to create such a wide view in such a small, economic set.
Within a trip or two, this became instinctive - i'd go to exactly the right position, and developed the knack of moving head and arms simultaneously to keep everything in position.
Recently, i started using this technique with my principal binocular, the Zeiss FL 8x32. Even with these, i'd never really settled on where the eyecups were best set - sometimes i'd use them fully extended, and sometimes one stop below this. In bad stray light situations, i'd extend fully, and jam my eyes into the cups, but normally, it would be one stop down from there and the 'eyebrow' technique.
I've now adapted the Hovering Optic Technique to these, so it too is instinctive, and today, (while waiting for a particularly shy Little Stint to appear), did some elementary tests with the FoV.
So, with a small island with two rocks on it on the left, and the edge of bird hide opposite the water on the left, i compared all available eye cup settings and their varying techniques.
To cut a long story short, the widest, (apparently) brightest FoV was available with the eyecups down and the H.O.T.
It is a little difficult for me to measure how far further out from the fully-extended setting i am holding them; it may be that i am actually in that vicinity, but without the visible eye cup interfering.
Strangely, when i tried this with an 8x42, it was far more difficult, but this may be more to do with balance, weight, size than anything else.
I started thinking about this following discussions on BF re published eye relief, and whether eye cups actually married up with this figure. As someone who simply assumed it was 'glasses = eyecups down, no glasses = eyecups up' this has all been very revealing.
The technique is now second-nature to me, with no awkward moments, and no birds missed. It also seems a lot more relaxed looking into the bins rather than through them and i seem to be able to look for longer periods.
In terms of the science fo what is happening, i will remain silent; i can't imagine why - after years of using smaller bins - this has only become apparent recently. It is almost like the eyecups provide a field stop which i no longer have to be restricted by.
It would be interesting to know if anyone else has kind-of ignored the eyecup/eye-relief thing, or finds any different results in any similar tests.
This took some time, but i suddenly found a 'sweet spot' - the view opened right up, they were bright, clear and seemingly untroubled by any unpleasantness at all. I was convinced i could also see the play of distortions used to create such a wide view in such a small, economic set.
Within a trip or two, this became instinctive - i'd go to exactly the right position, and developed the knack of moving head and arms simultaneously to keep everything in position.
Recently, i started using this technique with my principal binocular, the Zeiss FL 8x32. Even with these, i'd never really settled on where the eyecups were best set - sometimes i'd use them fully extended, and sometimes one stop below this. In bad stray light situations, i'd extend fully, and jam my eyes into the cups, but normally, it would be one stop down from there and the 'eyebrow' technique.
I've now adapted the Hovering Optic Technique to these, so it too is instinctive, and today, (while waiting for a particularly shy Little Stint to appear), did some elementary tests with the FoV.
So, with a small island with two rocks on it on the left, and the edge of bird hide opposite the water on the left, i compared all available eye cup settings and their varying techniques.
To cut a long story short, the widest, (apparently) brightest FoV was available with the eyecups down and the H.O.T.
It is a little difficult for me to measure how far further out from the fully-extended setting i am holding them; it may be that i am actually in that vicinity, but without the visible eye cup interfering.
Strangely, when i tried this with an 8x42, it was far more difficult, but this may be more to do with balance, weight, size than anything else.
I started thinking about this following discussions on BF re published eye relief, and whether eye cups actually married up with this figure. As someone who simply assumed it was 'glasses = eyecups down, no glasses = eyecups up' this has all been very revealing.
The technique is now second-nature to me, with no awkward moments, and no birds missed. It also seems a lot more relaxed looking into the bins rather than through them and i seem to be able to look for longer periods.
In terms of the science fo what is happening, i will remain silent; i can't imagine why - after years of using smaller bins - this has only become apparent recently. It is almost like the eyecups provide a field stop which i no longer have to be restricted by.
It would be interesting to know if anyone else has kind-of ignored the eyecup/eye-relief thing, or finds any different results in any similar tests.