MandoBear
Well-known member
I'm fortunate enough to work within easy walking distance of an area of rough grassland, scrub, mature trees and river. At lunchtimes I'm able to take a break from my desk and go for a stroll and relax with about 45 minutes of birding - it's a rare day that I don't see anything of interest. I've seen Whitethroats, Chiffchaffs, Stonechats, Goldfinches, Great Spotted Woodpeckers, Green Woodpeckers, Swifts, Swallows, Sand Martins, House Martins. On the river, there are Mallards, Little Greebes, Goosanders, Mute Swans, an occasional Kingfisher, and a Little Egret hangs around the area as well. And then there are the raptors - Buzzards overhead, and nesting nearby earlier in the year, at least a couple of Sparrowhawks, and Kestrels hunting over the long grass.
I usually take my Nikon Monarch 7 8x30 binoculars, but today I yielded to the urge to take my Nikon EII 8x30s. I'm glad i did. Today I had one of those birding moments where the combination of eyes, hands, mind and binoculars all fell into perfect synergy to give one of those spell-binding views of a beautiful bird - in today's case a male Kestrel. Breaking the view down; the way the colours of the bird were presented was just beautiful, the saturated yellow of the feet, the subtle speckled buff of the bird's breast, the chestnutty ochre of its back and wings, and the soft, slaty grey of its head - all just so engrossing. The bird was sat in a Hawthorn tree, intermittently preening and watching for prey, and the contrast of the bird with the dark green foliage and the deep red berries (yes, already - and it's still August) just set the scene off perfectly.
And then there was the detail I was seeing. I know the EIIs have a reputation for good sharpness, but somehow, today there was just SO much detail; the texture of the feathers was almost tangible - even against the backlighting provided by a lightly clouded sky. The EIIs are just so much less fussy about 100% accurate placement of the eyepieces relative to the eyes (in comparison with the M7s which are quite critical), and their control of stray light is just so much better, easier... Moving along the path, I was able to change the background behind the Kestrel to a dark conifer tree - even more texture popped out. On this side of the Hawthorn tree there's also a lot of Mistletoe growing, with its unique yellow-green "glow" - perfectly resolved with its criss-crossing texture of leaves and stems.
Sometimes top birding moments are made from observing a particularly rare or distinctive bird. Today, for me, the magic came from a my EIIs giving me a truly captivating and immersive view of a very beautiful, but quite common one.
I usually take my Nikon Monarch 7 8x30 binoculars, but today I yielded to the urge to take my Nikon EII 8x30s. I'm glad i did. Today I had one of those birding moments where the combination of eyes, hands, mind and binoculars all fell into perfect synergy to give one of those spell-binding views of a beautiful bird - in today's case a male Kestrel. Breaking the view down; the way the colours of the bird were presented was just beautiful, the saturated yellow of the feet, the subtle speckled buff of the bird's breast, the chestnutty ochre of its back and wings, and the soft, slaty grey of its head - all just so engrossing. The bird was sat in a Hawthorn tree, intermittently preening and watching for prey, and the contrast of the bird with the dark green foliage and the deep red berries (yes, already - and it's still August) just set the scene off perfectly.
And then there was the detail I was seeing. I know the EIIs have a reputation for good sharpness, but somehow, today there was just SO much detail; the texture of the feathers was almost tangible - even against the backlighting provided by a lightly clouded sky. The EIIs are just so much less fussy about 100% accurate placement of the eyepieces relative to the eyes (in comparison with the M7s which are quite critical), and their control of stray light is just so much better, easier... Moving along the path, I was able to change the background behind the Kestrel to a dark conifer tree - even more texture popped out. On this side of the Hawthorn tree there's also a lot of Mistletoe growing, with its unique yellow-green "glow" - perfectly resolved with its criss-crossing texture of leaves and stems.
Sometimes top birding moments are made from observing a particularly rare or distinctive bird. Today, for me, the magic came from a my EIIs giving me a truly captivating and immersive view of a very beautiful, but quite common one.
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