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Adam's Art (1 Viewer)
- Thread starter Adam W
- Start date
Oh! I wondered why it wasn't finished but I can see now how adding the other two in will really bring it to life.
Very nice Adam
D
Very nice Adam
D
timwootton
Well-known member
Very nice - this'll be a lovely group.
Adam W
Well-known member
I think i know what you're getting at but how exactly do you mean 'glaze down'?
I perhaps should have said earlier i dont actually have a clue how to paint i just try something and sometimes it works sometimes it doesnt.
timwootton
Well-known member
Hi Adam
Glazing really just means another layer of colour or medium. What Colleen's suggesting is that you subdue the 'sharpness' of the lighthouse - to knock it out of focus, as it were. This would make the lighthouse appear to be further away than the eiders. One way to do this (I'm sorry, I assume you are using acrylics?) is to mix a very, very diluted grey/blue with lots of water and then you need to have a lot of trust. Paint the whole of the background (excluding the eiders) with a layer of this 'glaze' and, when it dries, the lighthouse will look less prominent. You can add as many layers of glaze as you like - each one will increase the effect (a bit like laying tracing paper over your drawing, time and time again - but it's really quite subtle). If you're using oils, the technique is slightly different and you need longer drying times.
If in doubt, have a bit of a practice on a seperate piece of board first. And your artwork needs to be lying flat when you do this process - otherwise the glaze will run off.
And - although you may feel you are lacking in a few techniques - you certainly have got more than a clue about how to paint.
Glazing really just means another layer of colour or medium. What Colleen's suggesting is that you subdue the 'sharpness' of the lighthouse - to knock it out of focus, as it were. This would make the lighthouse appear to be further away than the eiders. One way to do this (I'm sorry, I assume you are using acrylics?) is to mix a very, very diluted grey/blue with lots of water and then you need to have a lot of trust. Paint the whole of the background (excluding the eiders) with a layer of this 'glaze' and, when it dries, the lighthouse will look less prominent. You can add as many layers of glaze as you like - each one will increase the effect (a bit like laying tracing paper over your drawing, time and time again - but it's really quite subtle). If you're using oils, the technique is slightly different and you need longer drying times.
If in doubt, have a bit of a practice on a seperate piece of board first. And your artwork needs to be lying flat when you do this process - otherwise the glaze will run off.
And - although you may feel you are lacking in a few techniques - you certainly have got more than a clue about how to paint.
Adam W
Well-known member
I am using oils.
I think I maybe am more than just lacking a few techniques as that all sounds very technical and not sure I have the confidence or knowledge to pull that off without ruining the picture altogether.
I do agree that the lighthouse is to prominant and the whole background needs to look 'further away' i'll see what i can do.
Jacana
Will Jones
Personally i'd put the two drakes together, but either would work well
colleenc
Well-known member
Adam if you are using oils, it's actually easier than acrylic. Take one of the sky tones or a grey blue as Tim suggests, no darker in value than the light sky, then take a bit of medium, not plain turps, and mix with the paint and brush over the dry lighthouse and parts of the sky by the horizon....just keep spreading it thinner and thinner with a stiff brush, don't make it soupy with the medium, if it's too much you can take a cloth and wipe off parts of it until you are happy,( a great way to do fog) if nothing much happens, then you can do another layer when it's dry. Maxfield Parrish used to do 60 to 70 layers of glaze on his work which is why it is so luminous. It really helps make the painting seem full of light and more atmosphere.
If you google "glazing with oil paint" you'll probably get a dozen different ways to do it. I use something more complicated, but what I gave you will work just fine.
If you google "glazing with oil paint" you'll probably get a dozen different ways to do it. I use something more complicated, but what I gave you will work just fine.
Adam W
Well-known member
Thanks for the advice, this is all a bit over my head at the moment but i'll do a bit of researching into it and see what i can do.
Jacana: the main reason i was going to split the Drakes either side of the female is i'm less confident about painting the female and i'm effectivly trying to 'hide' the female between the 2 drakes incase it doesnt come out aswell as the drakes.
Jacana: the main reason i was going to split the Drakes either side of the female is i'm less confident about painting the female and i'm effectivly trying to 'hide' the female between the 2 drakes incase it doesnt come out aswell as the drakes.
solitaryVSong
Well-known member
Looks like it worked Adam. The lighthouse now sits back and lets the eiders become the center of attention. Very good.
timwootton
Well-known member
Oh yes - that's worked splendidly. There's a very real sense of that North Eastern light in this piece; a real feeling of place - cracking job!
