What's new
New posts
New media
New media comments
New profile posts
New review items
Latest activity
Forums
New posts
Search forums
Gallery
New media
New comments
Search media
Reviews
New items
Latest content
Latest reviews
Latest questions
Brands
Search reviews
Opus
Birds & Bird Song
Locations
Resources
Contribute
Recent changes
Blogs
Members
Current visitors
New profile posts
Search profile posts
ZEISS
ZEISS Nature Observation
The Most Important Optical Parameters
Innovative Technologies
Conservation Projects
Log in
Register
What's new
Search
Search
Search titles only
By:
New posts
Search forums
Menu
Log in
Register
Install the app
Install
BirdForum is the net's largest birding community dedicated to wild birds and birding, and is
absolutely FREE
!
Register for an account
to take part in lively discussions in the forum, post your pictures in the gallery and more.
Forums
Binoculars & Spotting Scopes
Binoculars
3D in roof prism binoculars
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="elkcub" data-source="post: 3284530" data-attributes="member: 14473"><p>Hi Henry,</p><p></p><p>I've attached a screen shot from an early part of the video to give you some idea of what it's about. The scene from a 21mm Leica lens is shown on the left and an older 21mm Cooke lens on the right. The narrator discusses the difference in terms of visible distortions, and whether or not modern lens corrections are beneficial in so far a three dimensional realism is concerned. To me the effect is quite striking, and corresponds with what I've been thinking about the shortcoming of flat-field lenses. In motion, the 3D effect is even more evident. </p><p></p><p>There is no discussion of the optical differences between the two lenses, and so any number of design factors could be producing the effect, but I believe the Leica uses a flattener to correct field curvature. It also looks like rectilinear distortion is highly corrected. If that's the case, then it's hard to separate the two influences. </p><p></p><p>As Tobias pointed out, and perhaps should be emphasized, the visual cues are all 2D, so the 3D perceptual effect is independent of stereopsis. </p><p></p><p>Ed</p></blockquote><p></p>
[QUOTE="elkcub, post: 3284530, member: 14473"] Hi Henry, I've attached a screen shot from an early part of the video to give you some idea of what it's about. The scene from a 21mm Leica lens is shown on the left and an older 21mm Cooke lens on the right. The narrator discusses the difference in terms of visible distortions, and whether or not modern lens corrections are beneficial in so far a three dimensional realism is concerned. To me the effect is quite striking, and corresponds with what I've been thinking about the shortcoming of flat-field lenses. In motion, the 3D effect is even more evident. There is no discussion of the optical differences between the two lenses, and so any number of design factors could be producing the effect, but I believe the Leica uses a flattener to correct field curvature. It also looks like rectilinear distortion is highly corrected. If that's the case, then it's hard to separate the two influences. As Tobias pointed out, and perhaps should be emphasized, the visual cues are all 2D, so the 3D perceptual effect is independent of stereopsis. Ed [/QUOTE]
Insert quotes...
Verification
Post reply
Forums
Binoculars & Spotting Scopes
Binoculars
3D in roof prism binoculars
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more...
Top