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Digiscoping Cameras
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<blockquote data-quote="Sout Fork" data-source="post: 958076" data-attributes="member: 34006"><p>Jules:</p><p>Does the main difference has to be to be optical ? </p><p>SF:</p><p>I don't know. I formed the question that way because that would seem to</p><p>be the implication of what the two quotes are saying however.</p><p>Jules:</p><p>The scope has a fixed aperture and it is the human eye that must adapt</p><p>to the intensity of light. </p><p>SF:</p><p>For all practical purposes, often, a conventional telephoto is also a</p><p>fixed aperture device under real world conditions. Try shooting fast</p><p>moving passerines within their natural habitat which is often low light</p><p>underbrush at a low ISO and a high enough shutter speed to freeze action</p><p>and you end up going to aperture priority mode and opening the aperture</p><p>wide open anyway.</p><p>Jules:</p><p>The camera lens has to use a more sophisticated system in order to allow</p><p>the film or the sensor do get the required amount of light - the</p><p>duration is controlled within the camera but the aperture is variable</p><p>and this is done automatically inside the lens with an electronic signal</p><p>that triggers a change in aperture (or mechanical for the older lenses).</p><p>SF:</p><p>But you also have aperture priority within the camera body. That is you</p><p>can control light either by the shutter or the aperture. In my case I</p><p>use aperture priority and therefore have TTL auto metering through the</p><p>lens and thus have a full auto exposure mode. This works out well for me</p><p>because, as I say, whether or not I would use a scope or a telephoto I</p><p>would be probably shooting in aperture priority with the lens wide open</p><p>anyway.</p><p>Jules:</p><p>This system also allows control over the depth of field by varying the</p><p>speed/aperture equation while keeping the intensity of light constant.</p><p>SF:</p><p>This might make some sense with regard to relatively low power</p><p>telephotos, say about 15x (500mm) or less, but when you are talking</p><p>about a scope at 38x (the equivalent of a 1910mm tele) as is my case</p><p>there is no depth of field to control. The only option is where to put</p><p>the paper thin DOF not control it. Do you want the flanks or the eyes of</p><p>the bird in focus and that's about it.</p><p>Jules:</p><p>The third difference is focus control. The scope has a control made to</p><p>be adjusted by the user while the camera lens does this automatically</p><p>from the camera. </p><p>SF:</p><p>At the powers and light levels that I typically shot at AF is a</p><p>non-starter. As I said I often shot at low light levels in very complex</p><p>3D environments where there is twigs, branches, leaves at varying</p><p>distances around the target and I have found no AF system with the intelligence</p><p>to know the difference between a bird and the leaf 3 feet in front of it.</p><p>And even if it did it would not know if I want to focus on the eyes or</p><p>slightly shift it to the flight feathers for instance. I guess I'm old</p><p>school when it comes to focus - I trust what I see in the viewfinder</p><p>with my eyes not the machine.</p><p>Jules:</p><p>The better lenses even add vibration/shake reduction. </p><p>SF:</p><p>I have SR in the body of one of my cameras. I tried using it at high</p><p>powers with very poor results. I finally got hold of someone at Pentax</p><p>that seemed to know what he was talking about. He told me to turn it off.</p><p>He said that SR was to control for the relatively deep slow motion of a</p><p>hand held relatively low power lens. A high power scope mounted on a</p><p>decent mount and tripod does not benefit from SR. In fact it makes it</p><p>worst because a tripod, to the extent it allows movement, creates very</p><p>shallow fast vibrations and with SR on only makes it worse. Perhaps</p><p>Canon or Nikon have much better systems I really don't know.</p><p> </p><p>Anyway...</p><p>...please don't understand this as argumentive and in your face.</p><p>This is just one man's opinion based on his limited experience.</p><p> </p><p>Take care to all,</p><p>SF</p><p> </p><p>A few examples of the kind of shots I prefer if I can get it...</p></blockquote><p></p>
[QUOTE="Sout Fork, post: 958076, member: 34006"] Jules: Does the main difference has to be to be optical ? SF: I don't know. I formed the question that way because that would seem to be the implication of what the two quotes are saying however. Jules: The scope has a fixed aperture and it is the human eye that must adapt to the intensity of light. SF: For all practical purposes, often, a conventional telephoto is also a fixed aperture device under real world conditions. Try shooting fast moving passerines within their natural habitat which is often low light underbrush at a low ISO and a high enough shutter speed to freeze action and you end up going to aperture priority mode and opening the aperture wide open anyway. Jules: The camera lens has to use a more sophisticated system in order to allow the film or the sensor do get the required amount of light - the duration is controlled within the camera but the aperture is variable and this is done automatically inside the lens with an electronic signal that triggers a change in aperture (or mechanical for the older lenses). SF: But you also have aperture priority within the camera body. That is you can control light either by the shutter or the aperture. In my case I use aperture priority and therefore have TTL auto metering through the lens and thus have a full auto exposure mode. This works out well for me because, as I say, whether or not I would use a scope or a telephoto I would be probably shooting in aperture priority with the lens wide open anyway. Jules: This system also allows control over the depth of field by varying the speed/aperture equation while keeping the intensity of light constant. SF: This might make some sense with regard to relatively low power telephotos, say about 15x (500mm) or less, but when you are talking about a scope at 38x (the equivalent of a 1910mm tele) as is my case there is no depth of field to control. The only option is where to put the paper thin DOF not control it. Do you want the flanks or the eyes of the bird in focus and that's about it. Jules: The third difference is focus control. The scope has a control made to be adjusted by the user while the camera lens does this automatically from the camera. SF: At the powers and light levels that I typically shot at AF is a non-starter. As I said I often shot at low light levels in very complex 3D environments where there is twigs, branches, leaves at varying distances around the target and I have found no AF system with the intelligence to know the difference between a bird and the leaf 3 feet in front of it. And even if it did it would not know if I want to focus on the eyes or slightly shift it to the flight feathers for instance. I guess I'm old school when it comes to focus - I trust what I see in the viewfinder with my eyes not the machine. Jules: The better lenses even add vibration/shake reduction. SF: I have SR in the body of one of my cameras. I tried using it at high powers with very poor results. I finally got hold of someone at Pentax that seemed to know what he was talking about. He told me to turn it off. He said that SR was to control for the relatively deep slow motion of a hand held relatively low power lens. A high power scope mounted on a decent mount and tripod does not benefit from SR. In fact it makes it worst because a tripod, to the extent it allows movement, creates very shallow fast vibrations and with SR on only makes it worse. Perhaps Canon or Nikon have much better systems I really don't know. Anyway... ...please don't understand this as argumentive and in your face. This is just one man's opinion based on his limited experience. Take care to all, SF A few examples of the kind of shots I prefer if I can get it... [/QUOTE]
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