Neil, thank you for your reply over on the Swaro TLS 800 thread query. I've enjoyed reading through this thread too and see that I'm beginning to use a similar set up to you for digiscoping. I hope you won't mind a couple of questions.
My set up is Swaro ATS80HD with x25-50 EP, DCB-A adapter and Panasonic G3 with 20mm f1.7 lens.
I generally set the ISO to give a shutter speed of 1/800th sec or more, if possible. I also try to use the 2 sec timer if the subject is mostly still so as to completely eliminate shake from me touching the equipment. But, all of this is only possible if I can see the LCD screen clearly. If I'm in bright sunshine, with the light ideally behind me, the screen is impossible to see so I have to look down the view finder. This then, introduces instability. May I ask how you shoot? Do you use the LCD screen or viewfinder? Remote shutter release or hands-on? What sort of shutter speed do you aim for?
I wonder have you found you get better results with the APO or the DCB? Is one less hassle than the other?
Sorry for so many questions. It's nice to find someone else exploring all of this.
Many thanks
Hobbes
Hobbes,
Sorry to be a bit slow in responding but I've been away for a few days with no computer.
I'm a great believer in the Burst Mode of digiscoping. Set to fastest Continuous burst mode and shoot quick bursts of up to about 10 frames. The middle frames are usually the sharpest. I rest my hand on the front of the scope and press my eye to the eyepiece which stabilises the scope.
I use both the APO and DCB and both are useful. With the GH3 I used the 20/1.7 on the UCA adapter the most. This is because I normally shoot with at least 3 cameras, sometimes four, to make sure I always have a fresh camera and card ready. Also with video in the heat the cameras can overheat and power down so I have to switch them out quickly. These days though I've found the GH4 with a 128 gig card to handle a lot with no over heating so it's on the scope most of the time ( I like to shoot 4k video). Previously with the GH3 I also shot with the Sony RX100M3 and Nikon P330/340. I now only use the GH3 as backup on the scope and shoot it with the 100-300mm for video.
I like at least 1/1000th second if I can get it.
Hope this helps,
Neil.
I always use the fastest (SH) burst mode on my G3 and GX1. Disadvantage is, that you can only shoot small (4 mp) files. Advantage is, you can use the electronic shutter only and have no vibration caused by shutter shock at all. Below exposures of 1/200, shutter shock occurs with all other burst options and also for single shot. For long distance shots even faster shutter speeds can show the effect of shutter shock.
Alas, it is not possible on the G3 (and GX1) to use the SH burst mode when the ex. teleconverter is ON (if you mean that with 'extra reach'). So, when using that extra reach of the G3, it is not possible to prevent shutter shock otherwise then using high shutter speeds. Which will make this 'ex teleconvert' option only useable when there's enough light.
I took the Panasonic Leica 25/1.4 Summilux lens out to the wetlands yesterday to use it on the Swaro 95.
I must say I'm very impressed.
I had to extend my Digidapter to take the longer lens though. I was a bit surprised that there was still a bit of vignetting with this lens so I needed to crop the centre of the frame. In video mode this disappears.
The AF is very fast compared to the Panasonic 20/1.7 and seems more accurate. The quality of the 4k video looked good at distance and I was able to take some nice stills from the video clips.
Here is some 4k video. Watch at your screen resolution.
https://www.youtube.com/watch?v=WAcan-2y5ds&feature=youtu.be
Neil.
Panasonic GH4 and Leica 25/1.4 mm lens and Swarovski STX95 mm scope and Digidapter
Mai Po Nature Reserve,
Hong Kong,China.
28th May 2015
I took the Panasonic Leica 25/1.4 Summilux lens out to the wetlands yesterday to use it on the Swaro 95.
I must say I'm very impressed.
I had to extend my Digidapter to take the longer lens though. I was a bit surprised that there was still a bit of vignetting with this lens so I needed to crop the centre of the frame. In video mode this disappears.
The AF is very fast compared to the Panasonic 20/1.7 and seems more accurate. The quality of the 4k video looked good at distance and I was able to take some nice stills from the video clips.
Here is some 4k video. Watch at your screen resolution.
https://www.youtube.com/watch?v=WAcan-2y5ds&feature=youtu.be
Neil.
Panasonic GH4 and Leica 25/1.4 mm lens and Swarovski STX95 mm scope and Digidapter
Mai Po Nature Reserve,
Hong Kong,China.
28th May 2015