Chosun Juan
Given to Fly
Alpha owners talk about 'immersion', 'presence' and' being there'. Are these sensations related to AFOV or to the angle subtended from the eye to the objective stops, or what?
"being there", typically refers to an 'absence' of 'distractions' (or de-tractions) from the view. I find that even the best dielectric mirror prism coatings of over 99% efficiency provide some distraction in comparison to the 100% internal reflectivity of Porro prisms and A-K prisms, which exhibit a 'teleport' 'being there' 'clarity' and 'transparency' (at least in the centre field in the absence of other aberrations), provided that other things such as brightness, glare control, colour neutrality, aberration control and distortion interference etc are taken care of, and less importantly, along with a non-restrictive Fov. The Swift Audubon 8.5x44 ED Porro, the Zeiss x42mm HT's, and even later 8x30 and 10x40 Swarovski Habicht Porros (though with less AFov than the Swift), are some that come to mind with this quality, (the Swarovski 10x50 SV is a standout in that it is also imperceptibly close to this trait with its 'Wow' view despite its dielectric S-P prisms). It will be interesting to get Steve's take on this quality of 'clarity' with the A-K Mavens .............. :cat:
Other things that influence "being there" are indeed the AFov (sufficient not to be a distraction), and it is a major factor in the 'walk-in view' or 'immersive' experience along with a weird and esoteric influence by the true (Real Fov) field, and other oddities like the extent of the stereopsis effect, and dof etc. To get the whole kit and caboodle of 'clarity'/'transparency' and a well corrected 'walk-in' wide 'immersive' view is something of a holy grail :king:
Chosun :gh:
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