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Photography, Digiscoping & Art
Cameras And Photography
Canon
Quantitative image noise level measurements: Is the 50D really this bad?
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<blockquote data-quote="stephenB" data-source="post: 1543758" data-attributes="member: 23668"><p>Tim</p><p></p><p>You make some interesting points about like for like areas, but with more pixels on a 50D there is a natural temptation to hope that you can push more, i.e. crop more severly to get a better result in the all too frequent case when the bird is further away than you would like. Otherwise, what is the point of having more pixels?</p><p></p><p>Returning to the raw conversion theme, I've just tried comparing the noise on an image converted with DPP with the previous ones which used PSE6 and the latest version of ACR (5.4). </p><p></p><p>To my considerable surprise the DPP noise levels are noticeably lower than with ACR - roughly half a stop over most of the grey level range! The difference was even more marked in the dark image areas (<50). See attached revised graphs</p><p></p><p>Any ideas anyone why?</p></blockquote><p></p>
[QUOTE="stephenB, post: 1543758, member: 23668"] Tim You make some interesting points about like for like areas, but with more pixels on a 50D there is a natural temptation to hope that you can push more, i.e. crop more severly to get a better result in the all too frequent case when the bird is further away than you would like. Otherwise, what is the point of having more pixels? Returning to the raw conversion theme, I've just tried comparing the noise on an image converted with DPP with the previous ones which used PSE6 and the latest version of ACR (5.4). To my considerable surprise the DPP noise levels are noticeably lower than with ACR - roughly half a stop over most of the grey level range! The difference was even more marked in the dark image areas (<50). See attached revised graphs Any ideas anyone why? [/QUOTE]
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Canon
Quantitative image noise level measurements: Is the 50D really this bad?
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