I can't believe how long it's been since I commented on this thread Ken, I'm guilty of watching and wondering and staying quiet I'm afraid.
The wren is my favourite of all the latest work, I love the simplicity.
Mike
Thanks all. Mike, I confess, that every once in a while I prefer the simple ones myself. As you can probably guess by now I'm quite torn between simplicity and complexity.
As for the technical complexities of reduction lino I'm not at all a techincal person and have no patience for it. But I like the surprises that lino always throws up at me, especially with reduction linocut. So that's really my main reason for doing it. I'm really not a masochist!! (Though I should add that reduction lino is also called 'suicide printing,' because you sort of kill off each previous color as you go off to the next one). In any case I just do it because I like the results, not for any technical challenges.
Sketching outside recently as well as reading a number of books with artists who stressed field sketching has made me realize how much more there is to learn about the structure of birds. So here are a couple of pages of recent field sketches as well as some sketches based on photos I've taken.
A couple of white-throated sparrows with a Great Blue Heron field sketch, followed by a Great Blue Heron, just 6 feet away from me today walking through a swampy woods. Very odd to see them walking. I tried to capture the weird gait.
Sketches from photos are two Eastern Phoebes, followed by a Blue-gray Gnatcatcher, which just seem impossible for me to capture when I see them live as well as a Cedar Waxwing. I never have time to study their bill and facial markings in field so that's pretty much what I tried to get here.