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Sound recording setup for travel (1 Viewer)

WESO

Member
United States
Background: I travel to Australia from the US a few times a year. I was surprised to see that Merlin Sound ID was lacking and researched how it could get better. Basically, more sound recordings inputted in eBird checklists.

I am looking for any recommendations for a good setup (recorder and microphone) that will produce good usable recordings for eBird checklists. A compact setup would be best for the airplane flights. Also, I will purchase the gear here in the US.

I am aware that recording bird sounds is it's own specialty and am researching that as well. Thank you for any advice!
 
Best source of information is on the Cornell website. The sound recorders are compact but the dish or parabolic microphones are not. Some dishes can be rolled up so as to take less space.
 
For travel I like to use the Zoom H5, paired with their shotgun mic capsule: SGH-6 Capsule | Buy Now. The microphone can be removed and this ends up taking up very little space, while giving you some directionality paired with a solid digital recorder.

All together that is going to run about $400, at least on the Zoom website. That is about what I paid years ago.
 
My travel kits are

1/ Sennheiser ME400 shotgun mic and a Tentacle Track-E, with the mic and recorder connected to a Smallrig pistol grip with cold shoe
2/ Dodotronics Highsound Compact, again with the Tentacle Track-E recorder and the Smallrig pistol grip.

You could easily switch the ME400 for the Rode VideoMic Pro, which has slightly better sensitivity, but only comes with foam windscreen, rather than a dead cat fur wind shield. Also the suspension on the Rode Mic seems a bit more delicate (although my wife hasn't damaged her mic yet).

Both mics are designed for On-Camera, so have small size format, but need to fit in a cold shoe - but this works OK with an appropriate pistol grip.

Pros for option 1: Small size (easily fits in a small camera bag), built-in suspension system (to reduce handling noise), good dead-cat cover supplied with mic (to alleviate wind noise), tough recorder (even though it is plastic, it has taken a bit of a bashing over the years - including getting wet), 32-bit float recording (so no real need to monitor and adjust recording levels), sound pretty good (in my opinion).

Cons: On-off and record a bit fiddly to operate (impossible with gloves), a bit expensive

Pros for option 2: Quite small (I carry the kit using a Black Rapid Sling, with the small dish resting behind my hip), better gain from the dish (so more suited to birds a bit further away), again 32-bit float and again reasonable sound quality.

Cons: Stereo parabola to mono recorder, so you need a stereo-to-mono jack (and loose the stereo effect), occasional problems with connections (due to stereo to mono adapter - only cheap adapters seem available), more bulky and mic feels less robust, sometimes the dish has come loose from the cold shoe (probably due to the way I carry it), a bit expensive, supply of the dish outside the EU is a bit problematic (and expect import duty on top of the website sales price).

I am looking to change the recorder I use with the parabola to the Tascam FR-AV2, which has a stereo mini jack input (unlike the otherwise similar Zoom F3). I see the problem is that this recorder can only be 'attached' to the pistol grip with a camera monitor bracket, screwed into the tripod thread - the device is 'all screen', so I cannot tape it in place like the Tentacle Track E (that has no screen!) - this could easily work loose - and also screens can be a hindrance (especially as LCDs can be vulnerable to rain and high humidity).

The combo one was covered by a post I made some time ago - see ME400 and Tentacle Track E.
 
Best source of information is on the Cornell website. The sound recorders are compact but the dish or parabolic microphones are not. Some dishes can be rolled up so as to take less space.
I think this is the link Choosing Recording Gear. Sorry, but I feel like the page needs a bit of an update. There has been quite a lot of development in recorders in particular in the last few years, especially with more 32bit float options coming to market. Also, sadly the Senheisser ME66 and ME67 (which they rate as excellent) are no longer sold - second hand is the only real option for these mics now.

I am always banging on about 32 bit float, but I really do think it is the only way to go. It makes recording hyper easy, so you can spend more time watching the bird, rather than monitoring your recorder ballistics.

As you say, some parabolas can be rolled for transport (but this should only be temporary, according to Telinga at least - but enough for any long haul flight). Dodotronics also make the High Sound DR, which comes apart for transport. But looking at the dims the parts are still pretty big - and when I spoke to the manufacturer they informed me it was designed so that the rigid parts fit in a standard carry on luggage bag. This is OK(ish), but not so good if your already have taken up your carry on allowance with your normal birding stuff - bins, scope etc. When I have occasionally taken a full size dish on vacation, I have rolled up my Telinga dish and buried it deep inside a check in bag, and all has been OK.
 
I get reasonably good recordings with a Rode VideoMic Me plugged into my Pixel phone (8 Pro at present), using the RecForge II app. The fidelity isn't as good as my Zoom H5 and SGH-6 combo, but the form factor is great for travel.
 
I would say a small shotgun microphone, coupled with a simple recorder, such as a Zoom Hn1 or Olmpus LS12 would be ideal for most people. Sennheiser the best option perhaps for shotgun mics, but believe the Rode is good too. Wind protection is a key consideration, get a good deadcat...
 
Thank you all for the knowledgeable inputs. Shortly after originally posting this post, another trip to Australia popped up for next week, so I put something together quickly based on your suggestions. I went with a Zoom F3 (US$266) paired with a Rode VideoMic Pro+ (US$239), with the Rode Deadcat VMP+, a VidPro grip/tripod paired with a 20cm bracket to keep the recorder and mic together. Fortunately, it just happened that Amazon had Black Friday deals.
A big part of the decision was based on what was available for a quick delivery. For instance, I went with the Rode because the Sennheiser ME400 wouldn't arrive in time. The complete package came together just this afternoon, but I haven't been able to test it yet in the field. It packs nicely into a 23 X 28 X 7cm packing cube.
I am curious about the folding parabolic microphones and will look into that option more. I'm sure there will be drawbacks to this setup, but for now I have something that packs small enough and is ready to go when it's pulled out of the suitcase. For now, the goal is to capture good audio of quite common birds, such as Noisy Miners and Torresian Crows, to include in my eBird checklists. Thank you again!
 

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Thank you all for the knowledgeable inputs. Shortly after originally posting this post, another trip to Australia popped up for next week, so I put something together quickly based on your suggestions. I went with a Zoom F3 (US$266) paired with a Rode VideoMic Pro+ (US$239), with the Rode Deadcat VMP+, a VidPro grip/tripod paired with a 20cm bracket to keep the recorder and mic together. Fortunately, it just happened that Amazon had Black Friday deals.
A big part of the decision was based on what was available for a quick delivery. For instance, I went with the Rode because the Sennheiser ME400 wouldn't arrive in time. The complete package came together just this afternoon, but I haven't been able to test it yet in the field. It packs nicely into a 23 X 28 X 7cm packing cube.
I am curious about the folding parabolic microphones and will look into that option more. I'm sure there will be drawbacks to this setup, but for now I have something that packs small enough and is ready to go when it's pulled out of the suitcase. For now, the goal is to capture good audio of quite common birds, such as Noisy Miners and Torresian Crows, to include in my eBird checklists. Thank you again!
The F3 eats batteries, you'll either need a good stash of batteries or a powerbank - it seems to last for ever on a power bank but then there's another thing to carry & another cable
 
Last week I went on holiday to Tenerife and I couldn't take the 35 or 55 cm parabolic microphone with me on the plane, so I decided to take a minimal solution, carrying my Zoom F3 with an AOM 5024 XLR stereo microphone with baffle separator. All the recordings were of fine quality and I am really satisfied with this equipment.
 

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