I've been out today experimenting with the dark wire/chimney/branch against a bright sky test for CA. At the risk of giving offense I have to say that I don't find this method to be an effective way to analyze off-axis color fringes. You can certainly see color, but the true nature of the aberration can be lost for two reasons. First, the fringes mostly form in the bright areas and are therefore obscured by the bright background, some colors more than others, and a narrow dark line, like a wire, tends to blend together the outward facing and inward facing components of transverse CA, causing lateral color to sometimes resemble longitudinal color.
So, once again I'll plead for the use of white bands against a black background. Believe me, the color fringes stand out much better against a dark background and the white bands are wide enough to fully separate the the inward and outward facing fringes.
I made the photos below in sunlight using the "high contrast" shadow box I improvised yesterday. The left one shows the lateral color near the field edge (fieldstop at the top) of a Nikon 8x32 SE. The right one is a Zeiss 8x42 FL. I tried to reach best focus with both, but good focus is not really possible with the astigmatic Zeiss. The white band looks wider in the Zeiss mostly because of more pincushion distortion in it vs more angular magnification distortion in the Nikon. The photos faithfully show the larger amount of lateral color in the Zeiss and the true color components of the inward and outward facing edges in each binocular.
Believe me, guys, I'm making this plea as a public service to CA haters. I really believe that the life of a CA-phobe can be made easier if you'll just adopt a target for your evaluations that gives you better information about what you're seeing.