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Zeiss SF - Allbinos review (1 Viewer)

[email protected]

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I actually just read their review now for the 10x42 EDG. I normally don't read the reviews for 10x since I don't own one and have little experience with them.

But Dennis...you will need to run right out and buy a 10x42 EDG since Allbinos is apparently your go to guide for the best of the best.

Look at this summary for the EDG 10x42:

A record-breaking score in our test (no other pair of binoculars, tested by us so far, has reached a result over 150 points) and the lack of flaws that could be put in the ‘cons’ section are an explicit proof what kind of equipment we deal with here. If you don’t want to compromise on anything this set of binoculars is definitely for you.
Allbino's is a good reference and starting point for somebody looking to buy binoculars. I do use it when I want to try some different binoculars at different price points. A lot of people don't agree at all with their ranking but actually I do and I like their objective testing. They do a pretty good job. But before I buy I always try the binocular to see if it fits me.
 

typo

Well-known member
In this instance, the left and right tubes are are similar pictorially, but the data tables show numerical differences. I have others binocular reports showing greater pictorial differences between tubes. So, how different is different and by who's expert judgment does it make or not make a difference? Without being able to analyze these distributions mathematically/statistically the whole thing is up in the air. I've already mentioned this prevents being able to bridge the gap between the exit pupil and the eye's perceptual system. :-C

Ed

Ed,

Henry, Tibias, and apparently Arek, have used a camera to attempt to record the illustrate the colour bias of binoculars. It's clearly not without it's technical difficulties, but nevertheless, Henry and Tobias at least have shown clear differences are evident when the images are placed side by side, even though some apparently can't actually spot it when using the actual binoculars. I agree analysis of sampling and experimental error would be most useful, but so would a method to translate those spectra into a viewable colour. Clearly it's possible as the CIE point on your plots show, but unfortunately the actual parameters listed are incompatible with any colour rendering program I've found. Have you got something better?

Just to add to the colour palate. Wouldn't those Swifts look brown? ;)

David
 

adhoc

Well-known member
Thank you, David, and Ed, posts #129 and #130.

David I disagree–only with your modest statement "Probably not a lot of help"!

Ed, "plow through" is right! Much of it is beyond me, but on skimming over I find in Figure 3 something of what I seek. (For those who might wonder about the y-axis offsets at first glance: "The uppermost curve in each panel is in the correct position; the other curves have been shifted downwards, successively, by 0.4 log unit.")

David, this fact you state, which is borne out by those graphs, surprised me: "We do see things differently [with respect to color], but on the whole not different enough to account for the variety of opinion here [in this forum]."

A few years back it was pointed up in this forum that often in an individual the color sensitivities of the left and of the right eye are different enough to be easily noticed. It is so in me, and I would have estimated by "gut reaction" that the graphs for my two eyes differ more than any two here! (From that I supposed that among different individuals when L and R are taken together the results vary more than they in fact do.) In this article left and right are not considered separately. I am afraid I don't remember whether those discussions on the eyes of an individual referred to publications.

Would you be able to comment also on that, i.e. whether in fact the difference between L and R in an individual is often more than the variation in the merged results (L and R together) among a "typical" set of different individuals (such as tested here)? It may not be very relevant to the present thread, I know.

"...Those are just a few of the physiological factors. I suspect many of the differences reported here [in the forum] are primarily psycological, which I know comparatively little about." Would you be able to explain a bit more the word "psychological" as used there with a simple example? If in two individuals some color X (on its own, or within an image) is "seen" about the same way after the "physiological" (optical-neural?) stage how might the "psychological" factors cause it to be then "seen" more differently? Or is this part of the "incredibly complex" process you mention (hence need too much time to explain here)? Thank you!

PS. I should have added that I assume that variations between L and R eyes such as mine are still within "normal trichromatic color vision" as tested in the subjects of the article.
 
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typo

Well-known member
Thank you, David, and Ed, posts #129 and #130.

David I disagree–only with your modest statement "Probably not a lot of help"!

Ed, "plow through" is right! Much of it is beyond me, but on skimming over I find in Figure 3 what I seek. (For those who might wonder about the y-axis offsets at first glance: "The uppermost curve in each panel is in the correct position; the other curves have been shifted downwards, successively, by 0.4 log unit. ")

David, this fact you state, which is borne out by those graphs, surprised me: "We do see things differently [with respect to color], but on the whole not different enough to account for the variety of opinion here [in this forum]."

A few years back it was pointed up in this forum that often in an individual the color sensitivities of the left and of the right eye are different enough to be easily noticed. It is so in me, and I would have estimated by "gut reaction" that the graphs for my two eyes differ more than any two here! (From that I assumed that among different individuals when L and R are taken together the results vary more than they in fact do.) In this article left and right are not considered separately. I am afraid I don't remember whether those discussions on the eyes of an individual referred to publications.

Would you be able to comment also on that, i.e. whether in fact the difference between L and R in an individual is often more than the variation in the merged results (L and R together) among a "typical" set of different individuals (such as tested here)? It may not be very relevant to the present thread, I know.

"...Those are just a few of the physiological factors. I suspect many of the differences reported here [in the forum] are primarily psycological, which I know comparatively little about." Would you be able to explain a bit more the word "psychological" as used there with a simple example? If in two individuals some color X (on its own, or within an image) is "seen" about the same way after the "physiological" (optical-neural?) stage how might the "psychological" factors cause it to be then "seen" more differently? Or is this part of the "incredibly complex" process you mention (hence need too much time to explain here)? Thank you!


Adhoc,

As I said, the psychological side I struggle to get to grips with but I'll have a go at explaining some of what I've been gleaned.

I think most of us assume that we have three colour receptors in the eye, and three colour channels carry the information along to the optic nerve to the visual centres of the brain and we see an faithfull reproduction of the original view. It really doesn't happen that way. The image processing starts in the retina and goes though a number of intermediate filtering processes on route. Just one of the numerous processing routes is the colour opponent pathway which is nicely summaried in this blog.
http://www.scribblelive.com/blog/2011/12/07/the-use-of-yellow-in-data-design/

Anyway, the signal from the reptors is already heavily modified before it reaches the brain. It then goes through a number of stages where various levels of information are extracted. Depending on what information is required for you current activity, much of the time this partial, selective information will form the basis of what we 'see'. The rest is simply made up by the brain based on memory and expectations amongst other things to produce a relatively complete visual image. In reality, most of the time it's just the product of the brain's version of photoshopping.

One filtering process I found interesting is the difference between how we analyse sharpness vs. acuity or visual resolution. Sharpness is a low definition but fast processing method. It allows us to rapidly identify the major feature of the view so we are able to do things like run over a rough terrain. The processing time for sharpness is in the tens of milliseconds. It takes a lot longer for the brain to process the detail required to see the finest detail, usualy in the 100s of milliseconds. In terms of the level of visual detail there is something like a hundred fold difference per unit area. So what do individuals actually mean when the comment on sharpness?

Because all these pathways and levels are processing are entirey subconcious it can be extremely difficult to figure out whether to believe what we 'see', or really it's a bizarre construct of our imagination. Knowing this I find it takes quite a bit of concentrated effort to even begin sorting out the fact from fiction.

There is an awful lot of stuff I really don't understand about what the brain actually does even within the limited scope of comparing colour bias of binoculars, but from my tiny bit of knowledge I'd urge all to be beware of believing what they think they see.

David
 

Troubador

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Sharpness is a low definition but fast processing method. It allows us to rapidly identify the major feature of the view so we are able to do things like run over a rough terrain. The processing time for sharpness is in the tens of milliseconds. It takes a lot longer for the brain to process the detail required to see the finest detail, usualy in the 100s of milliseconds. In terms of the level of visual detail there is something like a hundred fold difference per unit area.
David

This is exactly my experience when scanning seaweed and rocks for otters. Above a certain scanning speed you think you are 'seeing' but actually you are only seeing major shapes and outlines. I have to slow to a certain speed and concentrate to ensure I see the details within which the well-camouflaged otters may be lurking.

Lee
 

[email protected]

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So then you agree EDG is a better binocular than SV in 10x42 since Allbinos ranks EDG #1...and when a new EDG comes out the margin will grow even wider ;)

HAHA
No. I think the EDG II would be a perfect binocular but in my opinion I found it to be not as bright and more subdued compared to the other alpha's. I think it is due to lower transmission maybe due to glass or coatings. For me it is a deal killer so I personally prefer the SV. Many people disagree but that is my opinion. I feel that Nikon's new 8x42 Monarch 7 HG could have better transmission than the EDG because the specifications say 92%. If the HG does it could be an excellent binocular but we will have to see.
 

ceasar

Well-known member
From the Greatest Binocular Review.

" I find one major fault though - the view is visibly darker then in the Leica Ultravid 8x42, the Zeiss HT and even the Zeiss SF. No matter how sharp the EDG is, it looks a bit subdued where the Leica Ultravid sparkles vividly. Nikon really needs to boost transmission in the EDG, no matter how, by coatings and or better glass. They will then simply have the best 8x42 for general use with a perfect combination of great qualities. Compared to what other companies try to do to reinvent the binocular this should be an easy task. I really hope that Nikon will not withdraw from the high end market and update this wonderful design very soon.
Nikon, I´m waiting for your awesome EDG MKIII."


It is not just me that say the EDG's are dark. Tobias is a well thought of and quite qualified reviewer. When I compared several alphas to see which one I wanted to keep I found the EDG's darker and more subdued than the others. If you don't agree that is ok. This is just my opinion. All of our eyes see differently. Other than that one fault I found them almost perfect. I am looking forward to the new Nikon 8x42 Monarch 7 HG.



Tobias needs his eyes examined too!

I own a Nikon 10 x 32 EDG II and it is not "dark" even with that small exit pupil! I have compared it against my 10x42 SE and my 10x35 EII and my 10x32 LX L, all of which I still own, and it is a bright as the SE and brighter than the EII and the LX L.

Both you guys, if you don't have eye troubles, are trolling nonsense here and should be ashamed of yourselves!



Bob
 
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Gilmore Girl

Beth
Supporter
United States
No. I think the EDG II would be a perfect binocular but in my opinion I found it to be not as bright and more subdued compared to the other alpha's. I think it is due to lower transmission maybe due to glass or coatings. For me it is a deal killer so I personally prefer the SV. Many people disagree but that is my opinion. I feel that Nikon's new 8x42 Monarch 7 HG could have better transmission than the EDG because the specifications say 92%. If the HG does it could be an excellent binocular but we will have to see.

I agree ... new HG does look really very good on paper so far.

Silly minor nitpick here...I would rather the rubber armor be smooth instead
of the pebbled texture. I think it would look and feel nicer, but it's minor.
 

[email protected]

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I agree ... new HG does look really very good on paper so far.

Silly minor nitpick here...I would rather the rubber armor be smooth instead
of the pebbled texture. I think it would look and feel nicer, but it's minor.
I prefer the pebbled armor because I think it looks more high quality plus if you get a scratch on it it is harder to see. These new HG's look very nice. Japanese too and that means high quality.:king:
 
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[email protected]

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Tobias needs his eyes examined too!

I own a Nikon 10 x 32 EDG II and it is not "dark" even with that small exit pupil! I have compared it against my 10x42 SE and my 10x35 EII and my 10x32 LX L, all of which I still own, and it is a bright as the SE and brighter than the EII and the LX L.

Both you guys, if you don't have eye troubles, are trolling nonsense here and should be ashamed of yourselves!



Bob
We are all entitled to our own opinions. I respect yours. Our eyes are all different. To me the EDG II was not as bright as the SV at least in the 8x32 format. Maybe the 10x32 EDG II is brighter. I found the SV brighter and more color neutral and I preferred the ergonomics over the EDG II also. That is why I kept the SV.
 
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[email protected]

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http://www.birdforum.net/showpost.php?p=2349208&postcount=1


This thread was started by Dennis a few years ago where he rightly praises the edg, he also posted a review of the edg, where he declared it the equal of the Fl and better than the SV due to lack of RB, nowhere, not once did he mention it was "dark", he just bombarded us with how brilliant it was.
With experience opinions can change. After using the EDG II and the SV over a period of time I found the SV a little brighter and more color neutral which I preferred and I also preferred the ergonomics of the SV. Sometimes I act a little hastily in my judgement of a binocular before I really have enough time with them. I still have the SV and the EDG II is gone though. In fact I have two SV's and the little Habicht.
 

ceasar

Well-known member
We are all entitled to our own opinions. I respect yours. Our eyes are all different. To me the EDG II was not as bright as the SV at least in the 8x32 format. Maybe the 10x32 EDG II is brighter. I found the SV brighter and more color neutral and I preferred the ergonomics over the EDG II also. That is why I kept the SV.



That does not satisfactorily explain why you insist on calling Nikon EDG's "dark" in posts that you know new members of the binocular forum will read.

Do you think that all of the Nikon top of the line binoculars that came before the EDGs also were "dark?"
 

Canip

Well-known member
That does not satisfactorily explain why you insist on calling Nikon EDG's "dark" in posts that you know new members of the binocular forum will read.
....
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Ooops, I am such a (relatively) new member, and I just read that - I am sure that' s not going to be good for me ;-) ;-)

btw, my humble opinion on the quoted term "dark": I have all of the 42 size EDGs (7x, 8x and 10x), have repeatedly compared them side by side against many of the other alphas and find them absolutely outstanding, but I would agree that they do not show under all lighting conditions the sparkling bright image that e.g. the EL SV, or a HT or SF, or a HD+ show (the difference for my eyes being rather small, though).
On the other hand, none of the other alphas beat the EDGs when it comes to stray-light suppression.
 

[email protected]

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That does not satisfactorily explain why you insist on calling Nikon EDG's "dark" in posts that you know new members of the binocular forum will read.
....
-------------------------------------------------------------------

Ooops, I am such a (relatively) new member, and I just read that - I am sure that' s not going to be good for me ;-) ;-)

btw, my humble opinion on the quoted term "dark": I have all of the 42 size EDGs (7x, 8x and 10x), have repeatedly compared them side by side against many of the other alphas and find them absolutely outstanding, but I would agree that they do not show under all lighting conditions the sparkling bright image that e.g. the EL SV, or a HT or SF, or a HD+ show (the difference for my eyes being rather small, though).
On the other hand, none of the other alphas beat the EDGs when it comes to stray-light suppression.
" I would agree that they do not show under all lighting conditions the sparkling bright image that e.g. the EL SV, or a HT or SF, or a HD+ show (the difference for my eyes being rather small, though).
On the other hand, none of the other alphas beat the EDGs when it comes to stray-light suppression."


That is exactly my point! And I agree with the stray- light suppression. The EDG's are the best at controlling stray-light.
 

elkcub

Silicon Valley, California
United States
Ed,

Henry, Tibias, and apparently Arek, have used a camera to attempt to record the illustrate the colour bias of binoculars. It's clearly not without it's technical difficulties, but nevertheless, Henry and Tobias at least have shown clear differences are evident when the images are placed side by side, even though some apparently can't actually spot it when using the actual binoculars. I agree analysis of sampling and experimental error would be most useful, but so would a method to translate those spectra into a viewable colour. Clearly it's possible as the CIE point on your plots show, but unfortunately the actual parameters listed are incompatible with any colour rendering program I've found. Have you got something better?

Just to add to the colour palate. Wouldn't those Swifts look brown? ;)

David

Hi David,

Yes, I agree with you, but I think such a color bias rendering (i.e., computing) program would necessarily require both the physical input spectrum and the human luminosity functions to work with. Keeping in mind there are individual differences in the luminosity functions within the population, as mentioned above, the resultant images would still not be definitive for everyone.

Apart from that, I think a database of numerical transmission vectors would be valuable for a range of purposes, including assessments of:

  • Inter-tube differences
  • Inter-specimen differences
  • Coating change effects
  • Product differences
  • Brightness assessment
  • Output (luminance) color bias
  • Perceived color bias prediction
  • Validation of other methods

Regarding the last point, rather than arguing about camera-based methods for assessing color bias, the numerical data could provide an opportunity to explain/validate more objectively what these output images represent. From my perspective, camera image manipulations are simply human perception simulators (or models), where hopefully the resultant screen patches illustrate the color bias a typical observer would consciously perceive looking through the instrument. Easy to say, not so easy to prove, particularly if the proffered images are accompanied by statements by the authors that this is what they see. I don't buy into using their perceptions as standards, so something more objective is needed.

I'm gonna think a bit more about that "brown" thing, since it sounds suspiciously similar to Chosun's hallucinations about the SLC HD. o:D

Ed

Question: Returning to the Allbinos' report, it seems that the transmission measure of the SF was the max value of the curve, wherever it was located. Is that correct? I can't find it anymore, but I thought Arik had said that he took an average across all the frequency bins.
 
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adhoc

Well-known member
Thank you, David, post #164. This is very valuable as usual from you. The very last words there are startling. "I'd urge all to be beware of believing what they think they see"! Could you, some time, list as a few(?) simple points what a person assessing a binocular should avoid, common errors you frequently come across? It could be a new thread. Thank you!
 

adhoc

Well-known member
James, post #179, I agree, yes to oneself, but I was thinking mostly of comments or reports in discussion with or for the use of others.
 

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