So how does one quantify this Wow factor? What makes it happen in one binocular and not another, all other things being equal? :cat:
I think there's a ridiculously long and highly tangential thread on it somewhere - ask 20 different people and get 24 different answers !
It is both quantitative, and because of our individual physiology, subjective too. In my world it consists of a combination of several things and the absence of several things too .....
Ted had it pretty right - you'll get an instantaneous thought of 'Wow' come to you .... like just being transported closer to what you are viewing with no distracting binocular quoibles in the way ....
The bin needs:-
* Clarity (some people call this transparency) - it is more readily found in Porros, A-K's, Perger prisms, though it needs other factors too (such as neutral colour rendition, high transmission, and well controlled aberrations etc). I think this quality is best thought of as the 100% internal reflection that separates these prisms from S-P ones. In numerical terms it is about an extra ~1 - 2 % or so (or more if the S-P mirror is Aluminium or Silver) transmission due to this factor alone.
* An extra wide field of about ~70° AFov sharpish to the edges - to give that immersive 'walk in view'. This is based on our eyes physiology and natural field of view.
* Ease of view - this goes beyond appropriate ER, and EP, and 'fit' for you - and into such esoteric design parameters as 'randpupille' .... basically increased margin of error for alignment. A prime exemplar of this is the Swarovski 8x32 SV.
* Excellent glare control - sometimes difficult to achieve with high ease of view, but very important so as to not detract from other traits.
* A Field Curvature, and Distortion Profile and Angular Magnification response that gives a pleasing sharpish to the edges view to your eyes without any unwanted rolling gremlins - 'bowl' from too much pincushion distortion, or 'ball' from too little pincushion distortion or too much barrel distortion. We are all different, but fit on a normal bell curve and so about ~80% of us will have commonality in our responses which let's bin designers target a viable market.
* Life like or enhanced 3-D effect - I don't think anyone really enjoys a trip to "flatland" (a famous book about a 2 Dimensional world that our Maths teacher used to read to us !
* Neutral colour rendition. As close to perfect white balance as possible gives the greatest range of colour fidelity in various situations.
* High flat transmission curve and Brightness - this gives both the highest brightness to aid our acuity, and also the best colour vibrancy too.
* Sharpness - this goes without saying - basically without all the maths you'll know it when you see it. A function of both resolution and the Modulation Transfer Function (see here for a highly technical explanation
http://www.normankoren.com/Tutorials/MTF.html)
* Micro Contrast - a function of MTF performance - the easiest way to explain it is that you want bins that show you more real life detail, and less of a blended cartoonist type of image.
* Mechanical precision - this will translate into better 'focus snap' and optical precision.
The things you don't want to see:-
* CA
* Astigmatism
* All manner of crud, fuzziness, weird distortion gymnastics with abrupt and unnatural changes and skewed colour cast, etc.
If you can find all of this in a great ergonomic package then you are on your way to the grail !
Without any real detailed grasp of the mathematics and physics, you'll be able to 'intuit' much of that to arrive at very similar conclusions.
Some bins that I regard as having real Wow are:-
Swarovski 10x50 SV
Zeiss 8x42 HT.
Honorable mentions go to:-
Swarovski 8x32 SV
Zeiss 8x42 SF
Swift Audubon 8.5x44 ED
Nikon 10x42 MHG
I'd be interested to hear how you find the glare performance of your 8x32 SV over on the appropriate thread :t:
Chosun :gh: