brocknroller
porromaniac
Imagine a Swarovski EL slamming into a wall. The impact both shortens the tubes and increases the diameter of the tube. It seems shorter than the EL and fatter too. I hope that explains it. I simply did not like the way it felt. The Venturer, LX and LXL have that same sort of fat feeling for me too, but not quite as bad as the EDG. Other than that purely personal preference as to the ergonomics, the optics seemed fine, certainly alpha quality, but I did not think the image was any better than the now newly renamed Premier series at the same Nikon booth. Maybe a bit more neutral color bias.
The gel pads seemed fine. There did seem to be more room between the barrels in the EDG than the Promaster. That is about the only ergonomic shortfall I see in the Promaster. However even in the Peregrine XP, I can't put a hand around each barrel without staggering my fingers. I would prefer the Promaster type style was a three finger gap as opposed to a two finger spacing. I would personally ban finger indents on binoculars.
Steve,
Thanks for that explanation.
I found the Promasters to be too long, so an open-bridged roof with a shorter body would appeal to me.
I also like the "fatter" LX/LX L bodies (full sized models) since they fit my hands better than slimline roofs, which don't have enough surface to grip, or midsized roofs, which are not only too short (my palms overshoot the barrels), but also two narrow.
It's not just about comfort - if I can't grip a bin comfortably, I will see more shakes.
Despite being "fat" the fact that the EDG has more space between the barrels than the Promasters is welcomed news.
If you can't get your fingers btwn the barrels of an open bridged roof, that defeats their purpose (ala the Monarch X).
You made an interesting observation about the optics of the EDG vs. the Premier LX (the artist formerly known as LX L .
As far as I can tell, the LX L and the Premier LX are the same bins, just relabeled, for reasons I speculated about earlier.
Being sensitive to CA, I would expect to see a vast difference between the HG L and EDG in terms of CA control, as Fireform commented.
The other thing I would like to compare is if the ED glass and coatings provide better contrast in bright light vs. the HG L.
With the HG L, the contrast can be overwhelmed by the brightness of the coatings, which were apparently designed for low light performance.
Details get washed out in the HG L if the object you are viewing has a high albedo.
The HG L also has lead free glass, which has a lower refractive index than lead glass, so the coatings might have been made to compensate for this, but they went a little too far.
And the colors are also skewed warmer. Reds are orangy, blues are purplish.
The original Venturers showed more realistic colors and better contrast in bright light. I would also expect that from the EDG PLUS significantly better CA control and better low light performance.
The price is my greatest concern. Even though Zeiss and Leica have been charging well over $1,000 for years for their roofs, and even though the HGL had a retail price of $1,400, it could be found for around $1,000.
For $1,800, I would probably expect more from a bin than it could deliver.
I was disappointed in spending half that much for the 10x42 HGL. My $300 8x30 EII gives better images.
I figure once the EDG is widely circulated, I might pick one up for $1,300 used (without the original box .
That's still $1,000 more than my EII. Granted, it will be much more robustly built, WP/FP, and have ED glass, but if the image isn't significantly better than my EII, and worth the trade off for a less 3-D effect, I will find it hard to justify purchasing one, even if my 201k turns back into a 401k.
Thanks again,
Brock