I've never seen an Audubon and would love to. What is the view like, with that wide field: how much is sharp, and do the edges have coma/astigmatism or just field curvature? (somehow these look quite different to me)
Well, this situation has simply got to stop!
For starters please review the attached paper that Renze de Vries and wrote in 2005 to find out what you've been missing (also see the contents of
THIS THREAD). At the time the article was written we didn't yet know the 804 Audubon originated in 1958 and was marketed by Swift & Anderson — the predecessor to Swift Instruments, Inc., which was incorporated in 1960. Shown below is only known specimen of the original Audubon on planet earth. And I own it. It was made by the Japanese company Tamron Optical Co. JL E-45. (If anyone can dispute this, now's your chance.) The one rdnzl presented on post #87 is the Swift-Pyser Type 3a shown on Pg. 13. Very wide FOV, short eye relief, and heavy. I assume his other two are of the same vintage. All excellent optics but not multi-coated.
So, I assume you yearn to experience the most modern Audubon, and those are Type 4, starting on Pg. 17. The 804ED is the ultimate experience but they are unobtanium at this time. Mine were sold a few years ago, so I couldn't even loan you one. (*Incidentally: the Model 820ED is fine instrument but, contrary to the ads, it does
not have air-spaced objectives which makes a big difference.) There are usually one or two Type 4 Audubons available on
the famous auction site at any given time.
I thought curvature and pincushion were two completely different things, but what do I know …
Your thought is correct, they are different. Curvature refers "Field Curvature," and pincushion refers to a type of "Distortion." They are different Seidel Aberrations and can be corrected independently, but they can also be easily confused at a descriptive level. All of the 804 Swift Audubon binoculars display pincushion distortion, which controls the "globe effect" while scanning, and field curvature, which (sometimes) appears as image defocus at the at the edge of the field. The only time I was ever consciously aware of its field curvature was when viewing the side of a man-made
flat building. In a three- dimensional natural visual environment, pure field curvature isn't easily identifiable because equi-distant objects at the extremes remain in focus.