OK, I just made more photos using the same northern skylight with an effort to improve the neutrality of the background. I don't remember what I did about white balance in the old ones, but this time I just set the camera white balance to auto. The background is white, underexposed to reduce it to a medium gray to increase color saturation. Unfortunately I don't have an SF or HT for comparison this time, so the 8x56 FL will have to stand alone. The crops show unaltered background color on the left, change in color from transiting the 8x56 FL on the right.
The left picture definitely has a green cast and in the right picture the left side is blue and the right side is green.OK, I just made more photos using the same northern skylight with an effort to improve the neutrality of the background. I don't remember what I did about white balance in the old ones, but this time I just set the camera white balance to auto. The background is white, underexposed to reduce it to a medium gray to increase color saturation. Unfortunately I don't have an SF or HT for comparison this time, so the 8x56 FL will have to stand alone. The crops show unaltered background color on the left, change in color from transiting the 8x56 FL on the right.
Looking at left pic I have no sense of hue. Looking at right pic, left side appears blue, right side green. However, looking at each side separately, the most striking difference (to me) is brightness, not hue.
The left picture definitely has a green cast and in the right picture the left side is blue and the right side is green.
Ed,
Thanks for presenting the article and your rather comprehensive synopsis of colour and perception, particularly as it relates to light spectra :t:
All I have to do now is figure out how all of that relates to my two different colour cast seeing eyes (one golden orangish, the other bluey-greenish), my transition lens eyeglasses and Mr Magoo-like myopia! |:d|
I do hope that Zeiss haven't messed with the HT formula, as that is one of the most neutral, nicely, realistically saturated, 'clarity' possessing views I have seen -- Zeiss could do worse than make the SF follow suit .....
Chosun :gh:
My wife saw the green immediately just like I do. I am sure the green and red transmission curves of Zeiss and Leica's and Nikon's are a design characteristic to maintain contrast in extreme light condittions. Just like Cyclist said in low light conditions when there was a lot of green the Zeiss came alive and I am sure the red cast of Leica's and Nikon's would be beneficial under certain conditions just like the older Habicht's had a yellow cast for low light conditions. You personally have to decide if you want those added colors though and maybe in Ireland or the UK or Germany where there is a lot of green the Zeiss SF may be your binocular. The color cast under certain conditions may be beneficial and should not be looked at as a negative thing.This is really an intriguing set of observations. In all Henry's images the binocular part of the image is distinctly greener to my eyes than the background using three different screens. It's exactly as I would expect from Allbinis and Gijs' transmission profiles and tallies with my consistant experience of the FL, in particular, spanning several years and many different samples. Seems cut and dried to me, but there are too many reporting things differently to ignore.
Ever since I joined the forum there has been a debate over the colour cast of the FL. I remember different assertions that it it is neutral, blue, steely blue, green, yellow and even red. I've speculated that the deduced blue and red transmissions are a deliberate design characteristic as it appears to maintain contrast perception in extreme light conditions when perhaps the other alphas don't do so well. Whatever it is, it clearly divides opinion as it does with these photos.
I'm sure most are aware that a few percent of the population have one form of colour blindness or another. What is less well know is that the rest of the male population has one of two different mutations to one of the optical receptors. Roughly half will have the same form as the female population, the other half have a slightly different colour discrimination. Without a DNA test none of us are going to know for sure which one we have. All I know is my wife doesn't see the color difference in Henry's photos that I do. It's a long shot, but maybe I'm not the only one that doesn't see things the same way as their wife?
David
I wish people would stop thinking they can capture my reality on their film! :eek!:
Cycleguy, post 20,
I promised to come back to your question with regard to the color definition of the SLC and the Companion as compared with the EL. When I make an overlay of the transmission spectra of these binoculars, the color definition of all three looks pretty much the same.
Gijs van Ginkel
Henry was just using other examples to display the greenish tint in Zeiss binoculars but Cyclist observed it in the SF. There are other documented examples of the greenish tint in the SF's. Tobias's excellent review displays the green color bias of the Zeiss SF and even explains why you may not notice the greenish tint when looking at something white like your "bleached calcium" beach you described. Here he quotes:
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What the eye sees is what matters. You are using you eyes when you use your binoculars.
RGB values mean nothing. What the eye sees is what matters. You are using you eyes when you use your binoculars.
It's a long shot, but maybe I'm not the only one that doesn't see things the same way as their wife?
David