timwootton
Well-known member
You heard the man!awesome! startlingly full of action - if you put sandpaper to this one we'll have to chop your hands off!
You heard the man!awesome! startlingly full of action - if you put sandpaper to this one we'll have to chop your hands off!
Posted my threats too late it seems! Very bad of you! Good job it paid off, the wider gap adds to the tension. Mind you, I'm one to talk, spent a whole week doing a mixed media collagey type thing on the huge canvases, then decided the composition wasn't up to much. Logical thinking led me to believe if I soaked the whole thing, I could just cut round the birds, peel them off, let them dry and stick them into a new composition - for birds that spend so much time in water, paintings of them become a hideous pile of pulp when too wet!
..main reason for overpainting the mid-range birds (in addition to them not being very good) was that I thought that they made it all less dynamic by spreading the area where there was action.
Couldn't agree more - with both parts of your comment.I see where you're coming from, and like the new version also. What struck me about the old version was the sense of chaos which came from all the birds scattering in slightly different directions.
Actually looking back at this and I think I detect a subtle directional move - perhaps from the garganey piece or the white tailed eagles onwards? It's to be celebrated, that's fer sure.