So, here it is:
I did not bring the 12x50 Meopta but it is twixt the two in size, a little bit taller than, and weighs 200g more than the SFL.
For comparison with the 10x50 I decided to go for the Swarovski EL12x50 (the 10x50 was not in stock at the moment) and also a Leica Noctivid 10x42. Unfortunately I forgot to take a picture of the Noctivid for comparison, though it is a fairly compact 10x42 I figured you guys could do without the picture. In retrospect it would have made for a better thread, pictures are always nice to sprinkle in now and then.
The view from the SFL 10x50. Coming from a great (but not perfect) first impression from the first visit, this was to be seen through more scrutinizing eyes and in comparison to some other great glass.
General viewing impressions from the first visit are the same: great view, large AFOV and very distinct snap to focus. Focuser is perfect and geared well for following bicyclists, birds and traffic. I have not seen or felt better interaction between focuser and moving the plane of focus in the field. This is the new benchmark for me, extremely fluid in action. TOP score.
Fly in the Chardonnay of praise: distortion again, quite high, and coupled with more CA than in the 8x50SFL. Sure, I honestly did not notice either to any larger extent for most of the time and moving around the ease with which I could distinguish detail and read labels, signs, lock onto birds or anything of interest is top notch.
But, looking at the crest of the sloped road at incoming pedestrians coming down, with the sun high up and slightly backlit scene there is a slight halo of CA on the edge of that sharp "cut out" of subject matter. Distracting? Nah, a little bit, only when you have seen what the very best glass can do. But not a deal breaker.
Scanning the roof tops and looking at high contrast scenes, chimneys, traffic lights suspended across the street, the occasional bird etc, as well as a well placed vendor sign with white letters on a black box however, there is more concern.
CA never goes away and is higher than I would like in the center and grows even more so towards the edges. For comparison the Ultravids (all of them) I feel have similar CA characteristics, but less so, and better handled I think.
This, to me is the dealbreaker. I tried to "not look for it" and just go "huh, I wonder what this looks like" but all the time there was that trace of CA that I cannot personally overlook. And on the 10X50 as well as the 12X50 it is too much.
How does the 10x42 Noctivid stack up:
Handles nicely. Nice grip, feels very slim compared to the 10X50SFL though the 10x50 SFL is nicer for me to hold. Eye relief is great on the Noctivid and it was my first look through a 10X Noctivid, ever. The eye relief caused some initial problems and again I struggled to find an eye cup position that worked for me. AFOV shrunk down considerably from the SFL10x50 to this and black beans occured so I ended up free floating the Noctivid in front of my glasses and could see the whole view with ease but quite pronounced field stop.
I did feel the Noctivid has a better image. Not as generous nor as impressive at first glance but scanning the whole scenario up and down again I feel the Noctivid has a cleaner look, not the color palette, but every transition from an edge on a high contrast scene is handled better.
Both are "high contrast" binoculars but the Noctivid handles CA better. It still has it, and still a little present at the cery center but so little it was not a concern for me and the gradual increase from the center felt gentler.
If the Noctivid had better AFOV and had worked better with glasses this binocular would really sit well with me.
But, the focuser is very loose, felt like it was on the last thread before falling off. Don't get that wrong, it was supersmooth, and zero play.
The focuser is smaller and a bit hard to the touch in a plastic way and I felt it was too light in action for me, personally.
The SFL series is the new benchmark for gearing and feel to me.
Overall I would rank the Noctivid as optically ahead of the SFL in some areas. Again, the Noctivid is priced a bit higher and is up there with the most expensive ones, like Pure NL and SF.