In my recent in-home comparison between the 8.5x42 EL SV and the 8x42 SLC HD (and the 8x42 HT), I arrived at a question that I couldn't quite answer for myself.
First of all, to my eye, the optics of both the Swaros are identical and are the best that I have ever seen. Great color and simply the sharpest view that I have experienced.
To aid in this conclusion, I took the advice of the group and tried the SV by itself to see if I could get past the RB distortion, and you know, I can. I gave it some thought and asked my eyes and brain to focus on the subject and not the distortion and the view was far more enjoyable. Is the RB still there? Yes, it is, but like the pincushion distortion found in so many other bins, if you don't go looking for it, it is far less noticeable and irritating.
Now some of you are thinking that this guy has had just wee bit too much Swaro Kool-Aid and probably ought not to be believed. Perhaps so, but I reiterate, that while the distortion still exists (no denial here, Brock), if you can focus on the view, even RB can be minimized. The best part is that if I still find the RB to be too much, the SLC has none and still has the same crisp, clear, fabulous optics.
The one thing that is slightly missing is that ever-so-slight SV wow factor, and hence, my question -
Is it the flat FOV that is responsible for that little extra something in the SV? Outside of the field-flattening lenses and the extra bit of magnification, I'm fairly sure that there no other optical differences between the two bins, so is this a reasonable conclusion?
Is it like looking at a high-end big screen TV and while not focusing on the edges (the subject matter is usually in the center of view), the entire presentation is so clear that it provides some sort of sub-conscious pop in the view that just makes it that much more satisfying?
Thanks for any thoughts and insight.
Now I have the task of choosing between the two!
Steffan
First of all, to my eye, the optics of both the Swaros are identical and are the best that I have ever seen. Great color and simply the sharpest view that I have experienced.
To aid in this conclusion, I took the advice of the group and tried the SV by itself to see if I could get past the RB distortion, and you know, I can. I gave it some thought and asked my eyes and brain to focus on the subject and not the distortion and the view was far more enjoyable. Is the RB still there? Yes, it is, but like the pincushion distortion found in so many other bins, if you don't go looking for it, it is far less noticeable and irritating.
Now some of you are thinking that this guy has had just wee bit too much Swaro Kool-Aid and probably ought not to be believed. Perhaps so, but I reiterate, that while the distortion still exists (no denial here, Brock), if you can focus on the view, even RB can be minimized. The best part is that if I still find the RB to be too much, the SLC has none and still has the same crisp, clear, fabulous optics.
The one thing that is slightly missing is that ever-so-slight SV wow factor, and hence, my question -
Is it the flat FOV that is responsible for that little extra something in the SV? Outside of the field-flattening lenses and the extra bit of magnification, I'm fairly sure that there no other optical differences between the two bins, so is this a reasonable conclusion?
Is it like looking at a high-end big screen TV and while not focusing on the edges (the subject matter is usually in the center of view), the entire presentation is so clear that it provides some sort of sub-conscious pop in the view that just makes it that much more satisfying?
Thanks for any thoughts and insight.
Now I have the task of choosing between the two!
Steffan
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