The more I think of it, the more it puzzles me that Nikon didn't upgrade their flagship porros with ED glass.
Swift brought out their 804 Audubon ED well before Y2K, I would love one of these to complement my early large body 804. If one ever turns up on the bay no doubt there will be a mad bidding frenzy. Definitely a rare and desirable binocular.
My point is that if Swift could make an ED porro Nikon certainly could.
Has anybody ever compared an Audubon ED with an SE or EII?
I compared the older Audubon 804 ED with the SE, and I was disappointed. Not sure if I just had a bad unit or if it was typical.
Besides having a small sweet spot that could only be described as a vertical "slit," the 804 ED seemed dimmer than my 804 FMC and MC 804s, which made no sense. Physicallly, I liked how it looked, black leatherette, and felt in my hands, but optically the SE was better. That was the 501 8x SE.
I also had a non-ED 820 Audubon, and while the eyecups rank #1 as the most uncomfortable I've ever used, the view was very good (as much as I could see of it w/out being able to view the entire FOV with both eyes at the same time because of the oversized eyecups and the protruding centerpost).
The edges weren't bad, not as good as the SE, of course, but the view looked very bright, color saturated, and contrasty. I'd be happy with that view in a more user friendly package.
The 5-element EPs create a very sharp image, plus with the extra .5X, maybe a bit sharper than the 501 SE. Colors were more vibrant than that older SE.
I have owned other ED bins, another Swift - 8x44 ED model, two Celestrons - 9.5x44 ED and 10x50 ED Voyager. I also tried the ZR 7x36 ED.
Except for the 804 ED, the other ED bins gave bright, color saturated, contrasty views.
The latest series SEs (550 8x, 050 10x, and 350 12x) are already bright, color saturated, and contrasty, but the CA goes up in direct proportion to the magnification. The 12x50s in particular could use ED glass for terrestrial use.
Some have objected (including me) to adding ED glass to the SE series for fear of steep price hikes. There's less than $200 difference between the Audubon 820 and 820 ED, and like the SE, the Audubons are made in Japan. But, the 820 ED has been around for more than a decade.
Nikon would have to reconfigure the objectives to accommodate ED glass @ today's higher optical engineering salary costs. Plus with the dollar/yen thang, the price increase might be more than twice the difference of what the non-ED/ED Audubon costs.
The question then becomes twofold (1) How many people are willing to pay over $1,000 for a Nikon 8x32 SE ED? (me, me, me!), and (2) would it be worth it to Nikon, considering that they still haven't sold 999 units of the latest production run since 2007? Disappointingly, that answer is no. Otherwise, they would have already done it.
The Monarch 7 might sell that many units in its first year. So I think it's partly about cost effectiveness and partly that Nikon has the EDG with ED glass now as it's "flagship" (or at least that's how they are marketing it, the SE is still the flagship in my book).
I'd go a grand for a Nikon 8x32 SE ED, $1200 for a 10x42 SE ED, and $1400 for a 12x50 SE ED. Of course, I'd buy them used from Dom Afable on Amart for $400-$500 less.
Well, I would have to figure in my membership dues.
The other reason Nikon won't do it is because the SE EDs would be better optically than the EDG. Those 15 years of R&D would all go down the drain....
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