• Welcome to BirdForum, the internet's largest birding community with thousands of members from all over the world. The forums are dedicated to wild birds, birding, binoculars and equipment and all that goes with it.

    Please register for an account to take part in the discussions in the forum, post your pictures in the gallery and more.
ZEISS DTI thermal imaging cameras. For more discoveries at night, and during the day.

A Life in Field Guides (very long) (1 Viewer)

John Cantelo

Well-known member
It was back in the early sixties, when I went to the ‘big school’, that I realised that a dog-eared copy of the “Observers Book Of Birds”, “I-Spy Birds” and a the first volume of Fisher’s “Bird Recognition” really didn’t cut it as bird ID guides. In primary school my best friend, Peter, was a birdwatcher; hardly a coincidence as I’d pretty much bludgeoned him into it. Fortunately he too passed the 11+ and, better still, ended up in the same class in a prestigious grammar school. (Standards must have slipped). Even more remarkably we quickly became aware of another classmate, Phil, who was also a birdman and clearly some sort of prodigy - he’d actually seen Lesser-spotted Woodpecker! Naturally with this level of competition and forays together to exotic habitats, I had to do something to assert my superior expertise. So I saved up until I could buy a spanking new field guide. There were only two on offer and I got the one that was obviously better since it had much larger pictures, showed more plumages, had more flight illustrations – yep, I got ‘The Collins Pocket Guide to British Birds’. Apart from anything else, this, as the title indicated, only had British birds and I had no intention of nipping off abroad any time soon. The tought that foreign birds would play a dirty trick on me and come here never crossed my mind! The other guys got Peterson, of course, and after a year stoutly defending my choice I slunk off and got one too. This was the old version with plates liberally sprinkled amongst the text and, with use, gradually degenerated into a loose leaf collection of random pages!

And so for the next few years I marked time as no publisher seemed ready to question that all field guides should be suffixed by the word ‘Collins’. Then in 1970, following the success of their ‘Golden Guide’ in the USA, along came ‘The Hamlyn Guide to the Birds of Britain & Europe’. Not only was the double page spread a lot more convenient, but flying raptors stopped being black-and-white and emerged in interesting shades of brown. If we’d had this on our first trip abroad we wouldn’t have struggled over juv. Bonelli’s Eagle or thought any dark vulture with a diamond shaped tail was a Lammergeier. However, the text was pretty basic and Singer’s illustrations were, with few exceptions, dreadful. (The pipits suffered in particular and were grotesque misshapen excuses for birds). Sorting out the two stints, let alone vagrant ‘peeps’, was an impossible task using this book alone. The conservation movement back then was only in its infancy which probably explains the poor breeding success – hardly any birds appeared to be juveniles!

Shocked by the appearance of an entirely new field guide without their name attached, Collins quickly moved into action and, in 1972, came up with Heinzel et al. (the full title is far too long to type out). This not only had the double page spread of ‘Hamlyn’, but also tagged on, like those 25% extra offers, the birds of North Africa and the Middle East for free! Although Heinzel’s plates were much better Singer’s, they looked a bit rushed and, with limited space, the text was brief. I had to wait until 1995 for a vastly improved edition with bigger better illustrations. A pity they didn’t get it right 20 years earlier as by then a new guide outshone anything on the market.

I vividly recall browsing in W H Smith’s (never fertile ground for specialist books) in 1978 and pulling down, without much enthusiasm, a book called ‘Birds of Sea & Coast’ one of the new Penguin Nature Guides. If the birds on the cover looked interesting, those inside were electrifying; Lars Jonsson had arrived! I quickly snapped the thing shut before any of the lifelike creatures flew off and, opening it a crack, was relieved to see they were all still there. Not only that but breeding season had obviously been good ‘cos there were lots of juveniles! Unfortunately, Penguin repeated its history of failing to publish the whole series (cf ‘Bird Recognition’), but after a stutter Croom Helm published the last of the five books in 1982. Brillaint as Jonsson’s illustrations were, and his worst outshone anything anyone else was producing, lugging all five around was as impossible as it was useless just to have just one or two. Desperate for a single volume version, rumours began to circulate that one was on its way and after an interminable wait in 1992 Helm came up with the goods. “Could things get any better?” we wondered and as we did so rumours began to spread that, yes, actually, it could.

The late 70s and early 80s were obviously a good time for field guides for no sooner had Jonsson’s mulit-volume opus appeared than Peter Hayman’s meticulous artwork arrived in a field guide form in “Mitchell Beazley Birdwatcher’s Pocket Guide” . OK it was flawed by it’s haphazard coverage and other lapses, but it was both uniquely portable and pioneered the multiple image/notes on plate format (the first revolutionary approach to the genre since Hamlyn’s double page layout). Like that book, though ,we had to wait until the ‘noughties’ for it to reach its real potential. A more comprehensive, re-illustrated and rewritten version came out in 2001 and remains the best small truly pocketable guide around (though still flawed!). It was no small compliment that when the old Hamlyn guide emerged in it’s latest incarnation (Philip’s Guide to Birds 2007) it was liberally supplied with illustrations lifted from Hayman. Singer’s waders had been junked years before and, had they got rid of the remaining orginal plates, then with its sharp text, generally larger images and a focus on European birds it could have been a contender.

Bucking the trend of more means better, in 1983 along came the “Shell Guide to the Birds of Britain & Europe”. Well, if faintly illustrated by Ian Willis, this remains the best British field guide ever written. Not only did it have detailed British distribution maps and population figures, but it also covered all the rarities. A terrific and neglected book. Hopes of a European version were raised by ‘Vogel Mittleeuropas’ (the Dutch version) that covered many continental species but one never materialised. After the disappointment of the Collins New Generation guide (1987) – a good mini-handbook, but not a true a field guide – the decade closed with the brilliant ‘MacMillan Guide’ in 1989. This superb adjunct to a field guide was joined in the 1996 by the better illustrated but less readable companion volume. I at last had something to really get my teeth into other than various birding magazines.

The 1990s began with another damp squib – ‘Birds by Character’ – which, interesting though it was, just wasn’t a practical alternative to the ‘real thing’. For the dreamer things sharply improved with Lewington et al’s Field Guide to Rare Birds’ – an excellent text and the best ‘traditional’ field guide plates yet published. Jonsson quickly came storming back with his single volume guide in 1992. With even more stunning plates this book might have been the ‘last word’ had not the text lacked a certain edge and the continuing rumours circulating that something really exciting was underway. In 1993 the now rather geriatric Peterson guide appeared in its 5th edition and, despite improvements, really began to show its age. Clearly the publishers knew what was on its way since they all started to shovel out new editions of their work; Heinzel et al were quickly followed by a revamped version of the Kingfisher guide by Gooders’ (Larousse). Somehow the sum of Gooders’ parts never quite reached expectations – perhaps because it was simply overdesigned. Although embracing NW Europe Kightley, Madge & Nurney’s Pocket Guide (1998), seems to have taken over the Shell Guide’s mantle as the best British only guide. Nice big illustrations, which are adequate rather than brilliant, and a good text make this my favourite book to carry when taking a non-birder out. If they can’t see the bird, at least they can see the illustration!

Then in 1999, as we all know, the world changed. The long rumours and aching anticipation finally began to take shape as various magazines carried articles using illustrations from Collins’ final attempt to reassert their dominance. For the second time ever I was stunned – they were absolutely brilliantly executed – at last Jonsson had a rival. The excitement surrounding the books eventual appearance might have lacked some of the razzamatazz the Harry Potter currently evokes, but for the true devotee their first glance at Mullarney, Svensson, Zetterstrom & Grant is a ‘what-were-you-doing-when-you-saw’ moment on a par with all those iconic moments of history. Just as Sellar & Yeatman (“1066 and all That”) stopped when Britain ceased being top nation, so does this narrative with the emergence of the ‘Collins Bird Guide’.


John
 
The book I always found of great use was P.A.D.Hollom's The popular Handbook of British Birds,,first published 1952,was always with me.some excellent plates by Talbot Kelly ( whose daughter today has done some splendid work) and information from Richard Richardson,cutting edge birding in those days.

POP
 
The book I always found of great use was P.A.D.Hollom's The popular Handbook of British Birds,,first published 1952,was always with me.some excellent plates by Talbot Kelly ( whose daughter today has done some splendid work) and information from Richard Richardson,cutting edge birding in those days.

POP

Yes, "The Popular Handbook" is/was a great book, thanks for reminding me of it, but it's hardly a field guide. As far as I can see the only plate by Talbot Kelly in my edition is a single one of Arctic Redpoll. Most of the plates were culled straight from the old handbook, but the textual drawings in my edition include not only some nice ones by some DIMW chappie. but also some super 'action' sketches by Peter Hayman which obviously indicates that his multiple image concept goes much further back than his books,

John
 
In those days it was used as a field guide,easy to carry as in those days our knees were our tripod.

POP
 
In those days it was used as a field guide,easy to carry as in those days our knees were our tripod.

POP
another two rather superb books for the time
1.Birds of the sea by R.M.Lockley with plates by Talbot Kelly King Penguin books 1945.

2.A Book of Ducks by Phyllis Barclay- Smith plates by Peter Shepherd Penguin Books 1951.

Two little gems of yesteryear .

POP
 
Nice to have this dialogue with you Pop, but it's a shame nobody else has joined in as I'd hoped I might spark some reminiscences. I certainly remember when 'scopes had to be balanced in knees, shoulders or whatever else was handy. However, I don't recall ever seeing anyone actually using the Popular Handbook as a field guide and, for reference purposes, I'd better admit I'm 1950 vintage - birding (seriously) from the early 60s,

John
 
People often say what bird got you into birding, with my it was reading my dads Petersen guide, fascinated by all the different types of birds that got me into birding.

I then got my own firstly the Bruun, Singer then when I saw my mates Heinzel Fitter Parslow was better (It also including more exotic N African birds) I had to have one.
At primary school we used to test each other by covering up the birds names.

Recently got a book out of the library The Macmillan Field Guide to Bird Identification - Harris, Tucker, Vinicombe, it's excellent and it's over 20 years old
 
People often say what bird got you into birding, with my it was reading my dads Petersen guide, fascinated by all the different types of birds that got me into birding.

Exactly! What got me into birding what finding an old edition National Geographic field guide at a library sale, and looking in it, i thought, "look at all the birds! i think ill go find some" and that was it! :-O
 
My Collins does not have the word Collins, it says Princeton Guides. ;) Reference to the Swedish original is made in the intro.
 
I then got my own firstly the Bruun, Singer then when I saw my mates Heinzel Fitter Parslow was better (It also including more exotic N African birds) I had to have one.
At primary school we used to test each other by covering up the birds names.

In part this thread was stimulated by finding a reference on the internet extolling the old Brunn & Singer saying how good Singer's artwork was and how useful the text. I had to pull out my old copy to double check just how truly dreadful the first edition actually was! Lord knows how I ever correctly identified anything with it! It's just about the only field guide for which I KNOW I could have painted better illustrations. Another reason was browsing through the current incarnation of the book (now the Philip's guide) which not only have all those brilliant wader and gull plates from an earlier revision, but also new paintings by Hakan Delin, Martin Elliot and re-uses some by Peter Hayman. The result is close to the neat portable European field guide that the original should have been all those years back. Straying still further from my brief I'd also add that it has by far the most up to date taxonomy of any handy guide.

We too used to play the game of reading out descriptions and having to guess what the bird was without reference to the illustrations,

John
 
My Collins does not have the word Collins, it says Princeton Guides. ;) Reference to the Swedish original is made in the intro.

Point taken, but Peter Grant was a Brit and whilst Killian Mullarney is Irish, I have it on good authority that he actually paints in English!!!!!

Seriously a pal of mine was on the Scillies years back when Killian Mullarney and Lars Jonsson were both painting the same bird (a small phylosc, perhaps Two-barred Greenish). He swears that at the end of the session Lars leaned over and told Killian that he thought Killian's was the better effort!

John
 
Your mention of the Observer's Book of Birds brought back a memory of my meeting with the author S. Vere Benson, who is in this photo from 'Big Çamlica' in September 1977, though I'm ashamed to say that, charming and delightful as she was, I have completely forgotten exactly which one of the charming and delightful ladies on the left she is (well it is 30 years past).

She advised me to go to the Lebanon for raptor passage, advice I fortunately was not able to heed, as the country plunged into brutal warfare and violence not long after.

Other than that, your history of Field Guides is rather similar to mine. Young birdwatchers today might not appreciate quite how dire some of the early bird books were, and how even the best were limited in one way or another.

One writer of the 50s and 60s, who later in his career became rather eccentric, was W. Kenneth Richmond, who, though English, was a Professor (IIRC of Education) at Glasgow. He wrote a couple of pleasant introductions to British birds which fired my interest when I was a teenager.

Cheers,
 

Attachments

  • Istanbul 9-77.jpg
    Istanbul 9-77.jpg
    61.7 KB · Views: 94
Last edited:
My first bird book was a copy of "The Oxford Book of Birds" which I eventually lost. I hunted down a second hand copy a few years back and I see it is (c) 1964. I'm no expert, but it was probably good enough for me. My first complaint about it was that there wasn't some sort of index or key to allow you to identify any bird in seconds without having looked at the main body of the book. I remember then mixing up coot and Moorhen, and convincing myself that a Pied Wagtail was something incredibly rare. I don't think even Collins would have helped me there.
 
I too have fond memories of the Oxford Book of Birds. I found, and still find, Donald Watson's plates a delight. It was also one of the first books to have a simple key indicating frequency. However, I've never been a fan of using keys to identify birds - the complicated key which dictated the idiosyncratic layout of the Collins Pocket Guide was one of its worst faults. I never heard of anyone regularly using it to successfully identify birds.

Tero's reference to a Golden Guide book covering only a few hundred species intrigued me since the only one I have - Eastern Birds by James Coe - doesn't seem to have been published until the 90s. Limited though it is, I still reckon it's the most attractively illustrated of all the American field guides,

John
 
I too have fond memories of the Oxford Book of Birds. I found, and still find, Donald Watson's plates a delight. It was also one of the first books to have a simple key indicating frequency. However, I've never been a fan of using keys to identify birds - the complicated key which dictated the idiosyncratic layout of the Collins Pocket Guide was one of its worst faults. I never heard of anyone regularly using it to successfully identify birds.

Tero's reference to a Golden Guide book covering only a few hundred species intrigued me since the only one I have - Eastern Birds by James Coe - doesn't seem to have been published until the 90s. Limited though it is, I still reckon it's the most attractively illustrated of all the American field guides,

John


I think Tero meant the smaller pocket guide with one bird to a page...
 
The two I posted links to are the standard beginner and full level books. The Coe EasternBirds book had very good pictures, but was an oddity. Very light, it left out most rare birds. There never was a West version of it.
 
I too have fond memories of the Oxford Book of Birds. I found, and still find, Donald Watson's plates a delight. It was also one of the first books to have a simple key indicating frequency. However, I've never been a fan of using keys to identify birds - the complicated key which dictated the idiosyncratic layout of the Collins Pocket Guide was one of its worst faults. I never heard of anyone regularly using it to successfully identify birds.
John

Oh I agree with you about keys now; I just didn't know any better then.
 
Warning! This thread is more than 17 years ago old.
It's likely that no further discussion is required, in which case we recommend starting a new thread. If however you feel your response is required you can still do so.

Users who are viewing this thread

Back
Top