Hi Joe,Hi Scott,
I followed the previous thread from a link in my email, which took me to the private message. I didn't realize it was a private message as it looks very similar to a normal post thread. I asked a question about posting images on the "say hi" forum and one of the admins learned that just admins and developers can post an image to a PM.
Yes, the images of the bear (a black bear not a grizzly) were the same, to show the unprocessed vs processed and that I cropped it. The first one was unprocessed and uncropped, whereas the second was cropped a bit more. I will provide a better example in a bit. Distance has a huge impact on the quality of a shot, as does the quality of the glass. Honestly, a 600 mm isn't long enough for quite a bit of wildlife photography. However, the 1.4 or 2.0 extenders do work really well with a 600 mm prime lens. And yes the professional lenses like the 600 mm f/4 or the 800 mm f/5.6 are expensive at $13,000 US. The reason distance itself is important is that the farther away the subject is you are then dealing with atmospheric challenges like haze or heat waves. The other issue is if the subject is filling up a small part of the sensor, say just 10% then you are only using a very small percent of the image capacity of the sensor. For example, even on the R5 which has a 45-megapixel sensor, if the subject is too far away and only fills up 10% then your subject may only be 4.5 Megapixels image if you cropped it in close.
Digital noise is another challenge. Some cameras handle noise much better than others. And the modern mirrorless does a fantastic job. I never would have thought, 20 years ago, that I could shoot at an ISO of 12,800 or more and still get an okay shot. The beauty of this is that photographers can get away with a lens like the 800 mm f/11 (very low light or slow lens) and compensate with a higher ISO to accommodate for the f/11. The downside of this though is that you don't get the beautiful bokeh (blurred backgrounds) you get when shooting with a much lower f/stop lens. This is the reason why wedding or portrait photographers will pay a LOT more money for an f/2 or lower lens than the equivalent lens in an f/4. In addition, there is very good software now to dramatically eliminate digital noise in post-processing. Two of the best products in my opinion are DxO PureRaw (for processing raw files, this is all I shoot is raw), and Topz labs DeNoise which also does a great job with Raw and jpg files (DeNoise I think will work with other file types too but I'm not 100% sure).
I've been very interested in the Canon 800 mm f/11 and have been looking at dozens of reviews. A camera shop near me had one in stock and I purchased it on Tuesday along with the Canon 2.x extender. There is a Snowy Owl that visits Sachuest Point National Wildlife Preserve in Rhode Island most years. It was sitting out on some rocks in the ocean roughly 500 feet off-shore. See the Google Map image below:
View attachment 1417016
If you see the wooden platform near the path that says Fint Pt Lp trl (upper left hand corner) and the outcropping of rocks in the lower right corner, the distance according to Google Maps is roughly 500 feet. It was a cold and very windy day, a bit hazy, and the lighting on the owl was terrible. Standing on the platform all you could make out with the human eye was a white dot. You couldn't even tell it was an owl. I had my Canon R5 on one of the best carbon tripods that Manfrotto sells, the new 800 mm and the 2.0 extender. Thus I was shooting a 1600 mm at f/22. I'm not proud of the image as the conditions where not very good and the distance was too great.
I don't have a shot from a 50 mm to show what the human eye would see. But trust me, it would have been a small white dot.
The image was shot at 1600 mm, ISO 2000, f/22 1/500 sec shutter.
Here is the unprocessed image and the processed image (Run through DxO PureRaw, Adobe LRC and cropped). Again, I'm not happy with the quality at all but it was due to conditions and distance, not the lens. I will either go back and get better images under better conditions and lighting rather than deal with the blown out whites due to lighting challenges. Notice though that the image is taking up very little of the sensor so I don't have much in the way of Megapixels to work with. So even at 500 feet away, and a 1600 mm, the distance was too much. The sizes of the files are to large to attach so I had to cut and paste screen captures.
As seen looking through the camera 1600 mm, a good spotter with the 25-60x eyepiece would be closer to 2500 mm.
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Same image, processed and severly cropped.
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As to picking the best spotter, I agree, you must look through them to see which has the best quality. This is what I did after reviewing many reviews and studying lots of images. I think the f/stop of the spotter will all be the same based on the formula previously discussed. Selecting a spotter is all about the quality of the image which is due to the quality and size of the front lens, gases in the tube, and of course the quality of the eye-piece.
Again, I hope this helps.
Here's a few more pics taken with the 800 mm without the 2.x (shots had to be cut and pasted from a screen capture due to the size of the files):
800 mm f/11 ISO 1600 1/250 sec 200 feet away, shot is processed and cropped.
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800 mm ISO 1600 f/11 1/250 sec, 400 feet away this has been processed and cropped and not 100% in focus either.
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I hope you had a nice Thanksgiving!
Joe
Thank you for sharing photos. The snow owl photos are very nice at such long distance. At this distance, scope also have similar interference from air turbulence and sea humidity.
I also have RF800 with 2x extender for long distance bird photos; most of those for documentation.
One interesting thing is RF800 + 2x extender combos has very little chromatic aberration, which surprised me. I have used 100-400II with EF III 2x; and this combos showed some CA and images degraded substantially.
Jay