solitaryVSong
Well-known member
Enjoying seeing the development. It will be interesting to see where it goes from here. I like the colors in the newest.
you move along so quickly - back to your question,
Loving all I've seen on the thread - just impossible to keep up after a week away!
When you paint you are using two distinct areas of your brain. One is the up front, active brain known to neurologists as "task positive." This is where you try to paint well, get the anatomy right, master colour, achieve a decent design as well as other practicalities of the moment.
The second area is farther back in the cortex and is more the resting brain--what is known as "task negative." Neurologists also call this the "default mode network." This is where attention wanders when the task-positive brain is not being fully used. Here are daydreams, memories, fantasies, fictitious conversations and even thoughts about things that have nothing to do with the job at hand. To their surprise, neurologists found that this wandering mind uses almost as much energy as the one that gives the appearance of getting things done.
Average people are in their task-negative brains more than a third of their waking hours. Apparently, artistic and inventive folk are even more into it. As such, the default mode network is thought to be the buzzing beehive of creativity.
I'm not a neurologist, but I've knocked about in a few artists' brains. Beginners tend to favor the task positive--fairly obviously because they are figuring out how to do things. Mature artists, on the other hand, can often slip into task negative for entire works. Having mastered the nuts and bolts, they now trust the felicitous takeover of default mode. Their paintings paint themselves. The Chinese philosopher Lao Tzu figured it out 2400 years ago. He called it "Doing without trying to do."
Here's the rub: Some artists stay permanently stuck in task positive. "Without wandering minds," says psychologist Jonathan Schooler, "they stay shackled to what they're doing at the time." On the other hand, there are artists who are all wandering mind and show little evidence of practical technique or self-managed application.
Left on its own, neither mode works properly. Working together, they are like a couple of characters in an old silent movie--they can't help but make interesting things happen.
If there is a secret, it may lie in achieving a balance and teaching yourself to switch back and forth. Constant stopping just to think won't fix a work that is already over-thought. Over-thinking leads to one of our most vexing goof-ups--overworking. Conversely, a persistent state of wandering mind can turn fine work into a fine mess. You need 'em both.
Best regards,
Robert
Esoterica: Now here's the interesting part: Apparently, boredom is a significant springboard to creativity. Neuroscientists have also found boredom to be a source of feelings of well being and a strong sense of self. In boredom, the brain continues to fire away in those regions that conjure hypothetical events and new possibilities. The wandering mind, the dream world, can be a better world than the real nuts-and-bolts world and for the artist, with the addition of task-positive skills, it can transform into the joyful business of making it happen.
Sorry to hear about the loss of your beloved pet Colleen.
Mike