Actually a nice flat transmission curve 400-750 nm would be nice for a change, rather than color Lee likes or color Jerry likes. Once you start screwing around with the color, inevitably half the people like it and half need to buy elsewhere.
I’m sorry Lee, but I spent years as a color consultant to the photo industry, was an ICC member, and consulted for Xrite and in matters of color I take my own advice, and sometimes others did too.
And more green, thanks but no thanks I already have a Pocket, nice small sharp bino, wide field shows all the detail, zero enjoyment, partly due to the color choices made. As I said, japanese product, japanese color choice. I tested a Conquest, unexpectedly sharp, some CA and unforgettably bluegreen.
You will remember the film boxes, no? Yellow Kodak (US), Green Fuji (Japan), Orange Agfa (Germany), each country has its esthetic, but in fine grey is the neutral that rules them all. And btw if you want an assessment of color, ask a young woman.
Edmund
I’m sorry Lee, but I spent years as a color consultant to the photo industry, was an ICC member, and consulted for Xrite and in matters of color I take my own advice, and sometimes others did too.
And more green, thanks but no thanks I already have a Pocket, nice small sharp bino, wide field shows all the detail, zero enjoyment, partly due to the color choices made. As I said, japanese product, japanese color choice. I tested a Conquest, unexpectedly sharp, some CA and unforgettably bluegreen.
You will remember the film boxes, no? Yellow Kodak (US), Green Fuji (Japan), Orange Agfa (Germany), each country has its esthetic, but in fine grey is the neutral that rules them all. And btw if you want an assessment of color, ask a young woman.
Edmund
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